Posts in tag

New Zealand


Track: Unknown Mortal Orchestra – Everyone Acts Crazy Nowadays, plus tour news

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New Track: HEX – Sight Beyond the Line

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EP: System Corporation – Apathy is Easy

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After delighting us with the single ‘The Overflow’ last month (see my review here), New Zealand dream popsters extraordinaire French For Rabbits have just announced the release of their new album ‘The Overflow’ for 12 November 2021 and sweetened the deal with another shimmering luminescent single, ‘Ouija Board’. ‘Ouija Board’ is a gentler, more reflective …

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With a theme running to the sweeter side, New Zealand’s Nik Brinkman follows up ‘Candy’, premiered by us back in June with another languid, hazy delight, ‘Sugarland’. The crystalline guitars form a crisp, crunchy background to the dreamy haze of the song with its recurring riffs and floaty atmosphere. Brinkman’s magical vocals are evocative and …

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There is something very distinctive in the air. New Zealand’s Flying Nun signees Sulfate have followed up their debut single ‘Crossing’ (reviewed by me here) with a brilliant brooding, fuzzy ‘There You Are!’: coasting over an insistent bass, barely contained feedback and singer Peter Ruddell’s (Wax Chattels) voice a deep, sonorous ominous rumble. There is …

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‘Lacuna’, the new single from New Zealand icon Reb Fountain swaps a swaggering bravado evident in her last single ‘Beastie’ (see review here) for something more restrained but just as powerful: a simmering, prowling and enigmatic track that has a hint of something ominous. With its subtle sinuous spine and a fuzzy guitar interlude, ‘Lacuna’ …

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‘The Overflow’ eases out of the speakers with a dreamy fugue – a soft and enchanting melody embellished with some glorious harmonies weaving in and out of the dappling notes. French for Rabbits, hailing from New Zealand’s capital Wellington, have created something that feels ever so delicate and fragile, deeply melancholic and yet floating on …

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We premiered Damien Binder‘s track ‘Everything But’ way back in May. We said it was a glorious example of Binder’s craft: a shimmering restless piece that travels with a spark and a verve, laced with melancholia and a meditative air: Binder’s voice is so immersive and mesmerising there should be a warning not to operate …

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‘Crossing’, from New Zealand band Sulfate, is a delicious, fuzzy, angst-ridden piece of darkness that buzzes with a satisfying intensity. A metallic syncopated undercurrent is swamped by angular, crunchy guitars and yearning vocals that have echoes of the brittle, observational delivery of the Robert Forster side of The Go-Betweens. The themes match the gothic darkness …

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Back in May, Backseat Mafia reviewed the new single from Voodoo Bloo – essentially the work of Rory McDonald (Sheffield born but Wellington resident). We are honoured to be able to bring to you an exclusive first viewing of the accompanying video to this blistering track. And it is absolutely on fire.  We wrote that …

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After quite a lengthy absence since her last release, New Zealand’s Lorde has made a forceful and powerful return with the track ‘Solar Power’. A languid and liquid track, ‘Solar Power’ is a slow burning fuse that builds up to an anthemic finish with the kind of rhythmic drive of ‘Screamadelica’-era Primal Scream. The accompanying …

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New Zealand artist Nik Brinkman has the languorous, snarling indifferent vocals of The Jesus and Mary Chain mixed with a dreamy, multicoloured haze that, in his new track ‘Candy’ that we are very honoured to premiere today on Backseat Mafia, creates an absolutely delicious piece of punky psychedelia. Hazy reverb and flange soaked instrumentation waltzes …

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