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Backseat Mafia
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Chris Sawle

1701 posts
Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.
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See: Harkness gestures to a prettier, baroque pop world beyond the virus with ‘Moon Spell’

  • July 7, 2021
  • Chris Sawle
HARKNESS is a beautiful musical enigma wrapped up inside a conundrum wrapped inside a rather fetching, actuellement, mask and gown; from within which couture he has a very personal line…
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Track: Slip inside the gorgeous, dubby blur of ‘The Visitant’ as Scottish ambient duo Cahill/Costello announce an enthralling debut album

  • July 7, 2021
  • Chris Sawle
KEVIN DANIEL CAHILL and Graham Costello, guitarist and drummer respectively, first set off on the path that would lead to them wedding as a musical act with an oblique and…
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See: Alasdair Roberts og Völvur lead you through the sombre, beautiful out-folk of ‘Nu Solen Går Ned’

  • July 7, 2021
  • Chris Sawle
WITH a rather gorgeous new record in cahoots with the Norwegian experimental folk collective Völvur just a little over a fortnight away now, our favourite Perthshire and formerly appendically removed…
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See: Sølyst brings a playful, fractured machine-dub-pop with ‘Hold’ ahead of his August album

  • July 4, 2021
  • Chris Sawle
THOMAS KLEIN, otherwise drummer for the fine post- and krautrock rhythmic venturers Kriedler, also has a natty occasional sideline as Sølyst, wearing which hat he strides out with an album…
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Track: Swiss post-rock trio HOLM bring the shimmer and the dapple to ‘Flickering Leaves’: a second, impressionistic step towards their 2022 album

  • July 4, 2021
  • Chris Sawle
WITH a months-long concept of dropping one single track every month on the pilgrimage towards their 2022 album, Swiss post-rock trio HOLM have followed up the cinematic and metronomic wash…
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Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in

  • July 4, 2021
  • Chris Sawle
FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the…
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With his debut solo album just a fortnight away, Cameron Knowler invites us to contemplation in ‘Kuyina’

  • July 4, 2021
  • Chris Sawle
WITH HIS two-hander album with Eli Winter, Anticipation, an excellent study in guitar primitivism, just three months behind us in the rear-view mirror, Texas acoustic explorer is just a fortnight…
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See: Devendra Banhart and Noah Goergeson unveil an expansive, meditative ‘Refuge’ double set for August; come float within ‘Into Clouds’ and ‘In A Cistern’

  • July 4, 2021
  • Chris Sawle
THEIR first meeting may have been entirely inauspicious – the one enquiring of the other whether in fact he was, indeed, a French drug dealer – but once that initial…
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Track: Bellatrix fashions toxic romance into alt.pop silk with ‘Bad Love’

  • July 3, 2021
  • Chris Sawle
SHE’S got one of those brilliantly tonally expressive voices, which skips up and down the register with easy fluidity, flowing through the notes in the way Bjork does; but then,…
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See: Lucid Express wrap a fleeting romance in the shoegaze bliss of ‘Hotel 65’

  • July 3, 2021
  • Chris Sawle
THE HONG KONG shoegaze quintet Lucid Express have tapped into the beautiful blur of that genre at its finest as a safe and exhilarating space away from the continuing political upheaval,…
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