Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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It’s hard to keep a good genre down, to coin a phrase: and the once-maligned ‘tweepop’ – the bands that followed on in the wake of the NME’s C86 compilation of 60s’-informed, chiming guitarpop, for so long on the critical ropes, has come back fighting in recent years.Once barely worthy of a mention in the weekly British …