Premiere: Michael Scott Dawson releases new visuals for the beautiful ambient soundscape of Campestral

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Exclusive: Lucy Kruger records ‘A Stranger’s Chest’ live in session for Backseat Mafia

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Baths, the LA-based producer Will Wiesenfeld, returns with Eden, a chattering electronic slice of house-infused pop taken from his upcoming album Gut—his first in seven years, set for release on February 21, 2025, via Basement’s Basement. Layers of shimmering electronics and synths are woven together with a gentle house beat, persuading you onto the dancefloor …

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We’ve been fans of Young Knives since forever it seems, having spent time at the very same aviary and carillon in the park that made Loughborough Suicide speak to us (well, me) so vividly from the second it landed as part of their brilliant 2006 album Voices of Animals and Men. Their new single, Cause …

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bdrmm’s new single Infinity Peaking sees the band smoothing out some of their sharper, angular edges for a more meditative, synth-driven sound. While still infused with their trademark shoegaze melancholy, the track feels more restrained, with frayed textures and Ryan Smith’s introspective vocals giving it a grounded, earthy beauty. The song’s expansive midsection is where …

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Still going strong as they approach their fifteenth album, Critical Thinking (out January 31), Manic Street Preachers prove they haven’t lost their knack for combining grit, melody, and emotional resonance. New single People Ruin Paintings is a slow burner, but one that immediately feels essential, capturing the band’s chemistry honed over three decades. The track …

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Former Galaxie 500, Luna and Dean and Britta man Dean Wareham’s new single, You Were the Ones I Had to Betray, is a charming slice of folk-inflected indie pop that showcases his trademark blend of emotional vulnerability and melodic sophistication. Wareham’s vocals sound assured yet still carry that delicate fragility he’s always had, perfectly complementing …

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Everything Is Recorded, the project led by producer Richard Russell, has returned with Swamp Dream #3, a stripped-back, almost minimal sounding single featuring Clari Freeman-Taylor of Mary in the Junkyard. Unlike previous tracks brimming with multiple contributors, as is Russell’s want with than project,this track narrows the focus to just Russell and Freeman-Taylor, who share …

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The Gentle Spring’s new single, Looking Back at the World, released on January 17, 2025, via Skep Wax Records, is a poignant reflection on the past, echoing the classic sound of Michael Hiscock’s former band, The Field Mice. The track exudes a reticent and shy demeanor, yet brims with understated emotion and a profound sense …

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HENGE’s new single, Slingshot/Hypersleep, is an insistent slice of some sort of spacey/synth/prog that blends juicy electronic textures with eccentric, cosmic vibes. Packed with oscillating synths, spidery lines that extend and retract at will, and layers of gluey bass, it’s a track that pushes the boundaries of pop. Vocals alternate between insistent melodic lines and …

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“Who Let the Dogs Out”, the debut album from Lambrini Girls has landed, and it’s everything fans could have hoped for—ferocious, unapologetic, and full of life. The Brighton duo, comprised of Phoebe Lunny and Lily Macieira, has long been celebrated for their unfiltered approach to music and performance, and this record captures their spirit perfectly. …

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Andy Bell’s cover of The Passions’ 1981 post-punk gem, I’m in Love with a German Film Star—retitled i’m in love…—is a lush reimagining that doesn’t stray far from the original but adds its own hypnotic texture. Featuring whispered, ethereal vocals from Dot Allison and layered guitars courtesy of Michael Rother (Neu!), the track envelops you …

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