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Album Reviews

3382 posts
  • Album Reviews
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Album Review: John Grant – Boy From Michigan

  • July 6, 2021
  • Kevin Paterson
Michigan boy John Grant has always moved to the beat of his own drum. If you were to ask me to fit him into a box – a genre that…
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Album Review: Orchestre Tout Puissant Marcel Duchamp – ‘We’re OK. But we’re lost anyway’

  • July 6, 2021
  • John Parry
Is it a band, is it a group, is it a collective or an ensemble- no it’s the one and only Orchestre Tout Puissant Marcel Duchamp, the multi-European makers of…
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EP Review: Superlove creates an entrancing melange of heavy metal pop delights in their EP ‘….but for the moment’

  • July 6, 2021
  • Arun Kendall
The new EP from Superlove is a fascinating mix between slamming hard rock and commercial pop: a mix that is dynamic and shimmering and creates something quite refreshing. Thundering guitars…
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Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in

  • July 4, 2021
  • Chris Sawle
FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the…
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Album Review: Maple Glider’s ‘To Enjoy is the Only Thing’ is a breathtaking debut filled with an exquisite sense of longing and beauty

  • July 3, 2021
  • Arun Kendall
Maple Glider – the moniker of Melbourne resident Tori Zietsch – has a voice and delivery that is like someone whispering softly in your ear: it’s close and warm and…
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Album Review: Supermilk – ‘Four By Three’

  • July 2, 2021
  • Jamie Garwood
Born from an abundance of writing amid the restrictions placed on individuals by the coronavirus pandemic, Jake Popyura, AKA Supermilk, started writing and demoing songs on a regular basis as…
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Album Review: Saint Sister dazzle on ‘Where I Should End’

  • July 2, 2021
  • Lara Eidi
When Where I Should End found its way to my email, so to speak, I welcomed it with a huge smile. I feel compelled to share my own personal connection,…
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EP Review: Perth’s Onslow release an operatic, anthemic and dynamic self-titled debut

  • July 2, 2021
  • Arun Kendall
Rising Perth debutantes Onslow (duo Sean Harmanis and Scott Kay) have a remarkable breadth in their music: songs that range from jingle jangle melodic delicacy to full-throated metal screaming within…
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Album review: Snapped Ankles – ‘Forest Of Your Problems’: a terrifically twisted tonal masterclass

  • July 1, 2021
  • James Kilkenny
FROM introductory single “I Want My Minutes Back”, the elusively enigmatic Snapped Ankles have spliced musically immediate tracks with impossibly danceworthy drumbeats and equally provocative synth work alongside sprawling, often…
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Album review: Sennen – ‘Widows (Expanded Edition)’: now twice the size, Noughties shoegaze torchbearers’ debut packs a glorious punch

  • July 1, 2021
  • Chris Sawle
WHEN shoegaze was so cruelly traduced by the British inkies, dazzle-eyed by their enthralment with the twin coming of grunge and early Britpop, us aficionados shed a quiet tear for…
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