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Album Reviews

3362 posts
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Album Review: Tavare-‘Too Small To Be So High’: A delicate and solemn slow core triumph.

  • June 11, 2025
  • John Parry
Trying to keep track of Canadian experimental guitarist and composer Aidan Baker’s recorded output since his first release in 2000 is an almost impossible challenge. The Discogs bible lists around…
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Album Review: Pulp gives us ‘More’ – returning with an aged beauty and graceful pose but the same louche insouciance we missed.

  • June 10, 2025
  • Arun Kendall
In ‘More’, Pulp return not with a bang but with a graceful, knowing nod – like old friends who’ve learned that the quietest whispers can sometimes carry the heaviest truths.…
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Album Review: Sparks are ‘MAD!’ and their enduring legacy is safe.

  • June 9, 2025
  • Arun Kendall
In the realm of art-pop, few acts have maintained the level of inventive audacity that Sparks have exhibited over their five-decade career. With their 28th studio album, MAD!, the Mael…
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Album Reviews: Nadah El Shazly -‘Laini Tani’: The evocative voice of Cairo’s leftfield scene delivers a soul-searching stunner.

  • June 7, 2025
  • John Parry
Where is Egyptian-born, Montreal-based producer, vocalist, composer, Nadah El Shazly likely to be heading with her second solo album ‘Laini Tani’ (out now on One Little Independent)? From a starting…
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Album Review: Bryce Vine Shines On Sophomore Album ‘Motel California’ 

  • June 4, 2025
  • Simon Lucas-Hughes
Bryce Vine shines on the sophomore album Motel California. Pop facing, yet genre blending, musically intelligent and vibrantly playful (a sentiment that’s hammered home by the albums title, a tongue…
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Album Review: Cecilie Strange – ‘Beech’: Compelling Nordic Jazz with a subtle strength and singular sound.

  • June 3, 2025
  • John Parry
When an artist settles into their groove, over time the spark in their music can dim. Listening to ‘Beech’ the new album by Danish saxophonist Cecilie Strange it’s more than…
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Album Review: Ty Segall – Possession; inventive, melodic and one of his best yet

  • June 3, 2025
  • Jim F
Ty Segall’s Possession is a technicolor journey through the underbelly of modern America—psychedelic, melodic, and bursting with invention. His 16th album is one of his most sonically adventurous yet, moving effortlessly from…
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Album Review: Trá Pháidín – ‘An 424’: Dynamic and distinctive experimental post rock from the illusive Galway collective.

  • May 29, 2025
  • John Parry
So let’s get philosophical. In the mid-fifties Guy Debord developed the idea of ‘Psychogeography’, the influence a place has on its inhabitants, their attitudes, values and how they go about…
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Album Review: An aural delight ‘By Design’ – With yet another landslide of impeccable songwriting, The Electorate unveil their new album.

  • May 29, 2025
  • Arun Kendall
The Electorate are finally back with a follow-up to their magnificent 2020 album ‘You Don’t Have Time To Stay Lost’ (see my review here). ‘By Design’, out tomorrow, puts on full…
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Album Review: Matthew Nowhere’s debut ‘Crystal Heights’ is a transformative shimmering blend of gothic synth pop and Californian sunshine.

  • May 26, 2025
  • Arun Kendall
Multi-instrumentalist and producer Matthew Nowhere has just released the widescreen beauty of the album ‘Crystal Heights’: an ethereal collection of eighties-influenced shimmering synth pop that unfurls with a statuesque grace. it is…
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