Album Reviews Archives - Page 16 of 334

Album Review: Lutruwita’s Meres unveil the excoriating and blistering sonic tornado of debut ‘WORRIED SICK’

Meres, fronted by the enigmatic and creative force of Mary Shannon (also in the magnificent Dvrkworld) have just released their debut album ‘WORRIED SICK’ and it has the sonic effect…

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Album Review: ‘I Love What We Do’ – It’s Geoffrey O’Connor’s world and we are delighted to be immersed in his luscious sonic romanticism.

Geoffrey O’Connor creates a world of breathlessly beautiful chamber pop, rich and luscious with an infectious sensibility that takes its genesis from the sixties – a sort of Burt Bacharach/Max…

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Album Review: Mess Esque’s ‘Jay Marie, Comfort Me’ is an epically beautiful and assured album, released ahead of Australian and European dates.

Mess Esque, the collaboration between Helen Franzmann (McKisko) and Mick Turner (Dirty Three, Tren Brothers), follow up on their self-titled debut 2021 album (reviewed by me here) with the astronomically…

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Album Review: REA-‘Garden Shed’ EP: Fresh folky weave and natural flow from a distinctive new indie-folk voice.

Well Bon Iver had his snowbound cabin in deepest Wisconsin and Brighton based singer songwriter REA had her Dad’s garden shed in rural England. That may not seem quite so…

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EP Review: Fever Rouge – Feed The Villain

Brighton’s Fever Rouge return with Feed The Villain, a snarling, sprawling EP that showcases an evocative blend of post-punk, shoegaze and indie-rock. Opening with the boxing drums and melancholic yet angular…

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Album Review: Be Kind Cadaver –‘The World’s Greatest Mind’ : Epic electronic noise-rock exposes a deeper malaise.

Welcome once again to a rare encounter with the illusive Brighton art-punk duo Be Kind Cadaver. First sighted back in the post-Covid energy surge of 2022 with their debut EP…

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Album Review: Bon Iver – SABLE, fABLE; A love story in two halves.

After six long years, Bon Iver returns with SABLE, fABLE, a two-part odyssey that explores love, longing, and transformation with his trademark emotional depth and sonic inventiveness. More than just…

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Album Review: Naarm/Melbourne’s USER release the delicious electronic late night thrum of ‘Mira Imposta’ ahead of launch dates.

USER have been together around six years and ‘Mira Imposta’ is their third album. Their oeuvre is a fascinating mix of throbbing Euro disco with pure pop sensibilities and an…

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Album Review: Lea Maria Fries – Cleo; Restless, poetic, genre-hopping brilliance from a singular new voice.

From the Swiss countryside to Berlin’s creative chaos and on to the quiet corners of Paris, Cleo, the debut album from Lea Maria Fries, feels like a journey through sound,…

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Album Review: Yann Tiersen – Rathlin from a Distance | The Liquid Hour; a immersive two part journey from solo expressive piano to urgent electronics

On Ninnog – out now via Mute Records, Yann Tiersen delivers an ambitious and deeply personal double album that journeys from delicate, introspective piano meditations to full-bodied electronic eruptions. Split…

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