Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music

Album Review: Snapped Ankles – Hard Times Furious Dancing: primal yet relentlessly danceable

  • March 27, 2025
  • Jim F
Total
2
Shares
0
0
2

With Hard Times Furious Dancing, Snapped Ankles take the chaos of modern life and distill it into something primal, absurd, and relentlessly danceable. The masked woodwose collective have always thrived on fusing industrial menace with kinetic energy, but here, they push their sound to new extremes, capturing the full-throttle intensity of their live shows. This album is a defiant response to a world spinning out of control—when everything feels impossible, the only thing left to do is dance.

Born from the band’s 2024 Forest Rayve club nights in South London, Hard Times Furious Dancing is their most immediate and physically commanding album yet. These songs were road-tested in front of sweat-drenched crowds before being committed to tape, and you can hear it in every serrated synth line and pounding rhythm. Lyrically, Snapped Ankles continue their fascination with surrealism and societal collapse, drawing from meme culture, post-Brexit confusion, and the struggle to survive under crushing financial pressure. Their signature log synths return, grinding and buzzing over the album’s mix of dance-punk, electro, and industrial noise.

From the first moments of Pay The Rent, the album lunges forward with jagged synths and clattering, metallic percussion, its shouted, half-spoken vocals evoking Mark E. Smith’s restless urgency. The tension remains high through Personal Responsibilities, where icy synth stabs and stripped-back arrangements reinforce its themes of inequality. Raoul is a frenzied collision of buzzing electronics and an unstoppable groove, while Dancing in Transit is one of the record’s most powerful moments—huge synth riffs and locked-in guitars create an overwhelming sonic force, demanding movement from the listener.

Though largely built for the dancefloor, the album has its moments of reflection. Where’s the Caganer begins with a subdued intro before launching into another pulsing anthem, while Bai Lan slows the tempo without losing its edge, simmering with barely contained menace before erupting into a cacophony of bass and distortion. The closing track, Closely Observed, shifts into unexpected territory, embracing a more cinematic, almost ambient-pop feel, proving that Snapped Ankles can twist their formula in surprising ways without losing their identity.

In Hard Times Furious Dancing, Snapped Ankles sharpen their attack, delivering an album that’s as exhilarating as it is unsettling. It’s a record that embraces absurdity but never loses its bite, using relentless energy to make sense of an overwhelming world. More than just a collection of songs, it’s an invitation—to lose yourself, to let go, and to dance like nothing else matters.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
2
Shares
Share 0
Tweet 0
Pin it 2
Related Topics
  • dance punk
  • Electronic
  • electronic albums
  • Industrial
  • Snapped Ankles
  • The Leaf Label
Jim F

Founder of Backseat Mafia, obsesser of music, hoarder of records, player of notes, defender of the unheard, ignorer of genre, writer of words, hater of preconceptions.

Previous Article
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: DVRKWorld’s self-titled debut EP is a delicious southern gothic blast of dark pop delight.

  • March 27, 2025
  • Arun Kendall
View Post
Next Article
  • Interview
  • Music

Meet: Night Beats’ Danny Lee Blackwell on ‘Behind The Green Door,’ Directing, and the Art of Evolution

  • March 27, 2025
  • Jim F
View Post
You May Also Like
DIIV
View Post
  • Backseat Downunder
  • Music
  • News

News: DIIV reveal headline shows for Sydney, Melbourne & Adelaide for February 2027

  • Deb Pelser
  • November 4, 2026
Converge
View Post
  • Backseat Downunder
  • Music
  • News

News: Converge announce Australian and New Zealand tour for March 2027

  • Deb Pelser
  • November 4, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: A. Swayze and the Ghosts feel the ‘Hot Sun’ in a blaze of strutting glory ahead of live dates.

  • Arun Kendall
  • November 3, 2026
muna
View Post
  • Backseat Downunder
  • Music
  • News

News: MUNA confirm exclusive Melbourne headline show for February 2027

  • Deb Pelser
  • November 3, 2026
Sevendust
View Post
  • Backseat Downunder
  • Music
  • News

News: Sevendust to embark on long-awaited Australian tour with Caligula’s Horse in2027

  • Deb Pelser
  • November 3, 2026
Rico Nasty
View Post
  • Backseat Downunder
  • Music
  • News

News: Rico Nasty Confirms first Australian headline shows for February 2027

  • Deb Pelser
  • November 3, 2026
Diana Ross
View Post
  • Backseat Downunder
  • Music
  • News

News: Diana Ross returns to Sydney after more than 20 years for one-night-only show

  • Deb Pelser
  • November 3, 2026
Adela
View Post
  • Backseat Downunder
  • Music
  • News

News: Laneway Festival 2027 adds a dozen sideshows across Australia

  • Deb Pelser
  • November 3, 2026
View Post
  • Live Review
  • Music

Say Psych: Live Review: Back From The Grave!

  • Le Crowley
  • November 3, 2026
Lottery Winners
View Post
  • Backseat Downunder
  • Music
  • News

News: The Lottery Winners announce Australian and New Zealand headline tour for April 2027

  • Deb Pelser
  • November 3, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
  • News: MUNA confirm exclusive Melbourne headline show for February 2027
    News: MUNA confirm exclusive Melbourne headline show for February 2027
  • News: Laneway Festival 2027 adds a dozen sideshows across Australia
    News: Laneway Festival 2027 adds a dozen sideshows across Australia
  • News: Diana Ross returns to Sydney after more than 20 years for one-night-only show
    News: Diana Ross returns to Sydney after more than 20 years for one-night-only show
  • Say Psych: Live Review: Back From The Grave!
    Say Psych: Live Review: Back From The Grave!
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d