electronic albums
Album Review: Anika – Change
It’s been eleven years since the release of the debut album by Berlin-based DJ, musician and former political journalist Anika Henderson, known professionally just by her first moniker. The new album is called Change, and it couldn’t be a more appropriate title; how different a world it has become in the decade and a bit …
Album Review: Sarah Davachi – ‘Antiphonals’
Sarah Davachi is a composer and performer who, like fellow keyboardists Ana Roxanne or Anna Von Hausswollf, relentlessly navigates the tidal intersections between electronic and drone music. As an artist she has serious collaborative credentials, having worked with such luminaries as Basinski, Grouper, Donald Buchla and Loren Connors, but since 2018 Davachi has focused more …
Album Review: Joon – Dream Again
For the last few years it’s been the ladies who have owned the electronic music scene. Robyn switched things up with her electronic masterpiece Honey. The late, great Sophie broke new ground with her album oil of every pearl’s un-insides. Whilst Roisin Murphy and Annie returned triumphantly with brand new albums last year. But here’s …
Album Review : Hiatus Kaiyote soar with ‘Mood Valiant’
Hiatus Kaiyote return in 2021 with their new album Mood Valiant, on Brainfeeder/Ninja Tune. The twice-Grammy-nominated band is comprised of Naomi “Nai Palm” Saalfield (guitar, vocals), Paul Bender (bass), Simon Mavin (keys), and Perrin Moss (drums), and the new album is the follow up to their 2015 album ‘Choose Your Weapon’, which Rolling Stone described …
Album Review: ISQ – ‘Requiem for the Faithful 2.0’ – The Remixes
There’s something to be said about the mere act of dancing, post-covid. Let’s just start with that. Whether you’re into club culture or not, we’ve all had a burning desire to dance, with other people. That free flow ecstatic waltz into movement, that enables us to feel human again. Enter ISQ. A powerhouse of a …
Album Review: John Grant – Boy From Michigan
Michigan boy John Grant has always moved to the beat of his own drum. If you were to ask me to fit him into a box – a genre that he could comfortably placed in, then I could only call it John Grant. From the dream-pop beginnings of his debut solo, Queen of Denmark, to …
Album Review: Yann Gourdon’s self-titled LP hypnotizes the listener with swirling, baroque instrumentation
The new offerings from French artist Yann Gourdon create a hypnotizing atmosphere that pushes and pulls the listener from its fabric. It can be argued that ambient music is defined by intention and spatial interaction: a work must intend to not demand the attention of the listener, and it interacts with auditory space in a …
Album Review: Mente Organica – ‘El Espacio’
Earthly Measures, the London based DJ and event creating duo, have been carefully and lovingly nurturing their record label through these turbulent times . They’ve put out a couple of compilations, digi-releases and EPs that deliver exquisitely curated global beat music with a leaning towards feet warming new electronica from South America. Now comes news …
Album review: Spirit of the Beehive ‘ENTERTAINMENT, DEATH’
New album from Spirit of the Beehive on new label, Saddle Creek, out April 9th this is Entertainment, Death. The shape shifting Philadelphia trio return with a new work for a new label but remaining true to their spirit of noise rock immersion with their work being less music but pop music just not as …
Album Review: Luca Yupanqui – Sounds of the Unborn
The proportion of ‘firsts’ occurring in music (experimental or otherwise) would, in all likelihoood, greatly diminish over time. However, it may also be likely that other sources could blow open the doors to refreshingly exciting ways of creating music – which express emotion in similarly invigorating fashion. Technology, for example, is likely to be a …