Album Reviews Archives - Page 22 of 340

Album Reviews

EP Review: Fever Rouge – Feed The Villain

Brighton’s Fever Rouge return with Feed The Villain, a snarling, sprawling EP that showcases an evocative blend of post-punk, shoegaze and indie-rock. Opening with the boxing drums and melancholic yet angular…

View Post

View Post

Album Review: Be Kind Cadaver –‘The World’s Greatest Mind’ : Epic electronic noise-rock exposes a deeper malaise.

Welcome once again to a rare encounter with the illusive Brighton art-punk duo Be Kind Cadaver. First sighted back in the post-Covid energy surge of 2022 with their debut EP…

View Post

View Post

Album Review: Bon Iver – SABLE, fABLE; A love story in two halves.

After six long years, Bon Iver returns with SABLE, fABLE, a two-part odyssey that explores love, longing, and transformation with his trademark emotional depth and sonic inventiveness. More than just…

View Post

View Post

Album Review: Naarm/Melbourne’s USER release the delicious electronic late night thrum of ‘Mira Imposta’ ahead of launch dates.

USER have been together around six years and ‘Mira Imposta’ is their third album. Their oeuvre is a fascinating mix of throbbing Euro disco with pure pop sensibilities and an…

View Post

View Post

Album Review: Lea Maria Fries – Cleo; Restless, poetic, genre-hopping brilliance from a singular new voice.

From the Swiss countryside to Berlin’s creative chaos and on to the quiet corners of Paris, Cleo, the debut album from Lea Maria Fries, feels like a journey through sound,…

View Post

View Post

Album Review: Yann Tiersen – Rathlin from a Distance | The Liquid Hour; a immersive two part journey from solo expressive piano to urgent electronics

On Ninnog – out now via Mute Records, Yann Tiersen delivers an ambitious and deeply personal double album that journeys from delicate, introspective piano meditations to full-bodied electronic eruptions. Split…

View Post

View Post

Premiere: Naarm electronic shoegazers Double Happiness gives us an exclusive listen to their thrilling debut album ‘Derealisation’ – a deliciously dark gothic delight.

Not to be confused with Brisbane surfgaze band The Double Happiness, Double Happiness is the work of Naarm/Melbourne based multi-instrumentalist Sam Jemsek and we are ever so pleased to be…

View Post

View Post

Album Review: Disk Musik – A DD. Records Compilation; Beautifully broken sounds from the Japanese fringe.

In the cultural afterglow of Japan’s postmodern early ’80s, Disk Musik emerges as both an endnote and a revelation—a window into a scene too strange and insular to ever fully…

View Post

View Post

Album Review: Penelope Trappes – ‘A Requiem’: Resonant, deeply fulfilling ambient songs which need to be heard.

Penelope Trappes recognises she makes music goes deep and once described her approach as “digging up the underworld with visual motifs, and a mystical, gothic darkness that symbolises my struggles”.…

View Post

View Post

EP Review: ‘Is It Really Goodnight?’: Celeste Madden’s Introspective and Evocative New Release

Key to London-based singer-songwriter Celeste Madden’s new EP, Is It Really Goodnight?, is its dense atmosphere. It’s not foreboding or oppressive, but rather a sleepless sheen that coats the tracklist…

View Post

Pages