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Album Reviews

3380 posts
  • Album Reviews
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Album Review: Constant Follower – The Smile You Send Out Returns To You; a beautiful, spacial, immersive album

  • March 12, 2025
  • Jim F
Stephen McAll’s journey to The Smile You Send Out Returns To You is as moving as the music itself. A brutal attack in his teens left him with lasting head…
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album review: the wildhearts – satanic rites of the wildhearts

  • March 12, 2025
  • Phil Pountney
The Wildhearts are back with an absolute barnstormer of an album, ‘The Satanic Rites Of The Wildhearts’, and it is a belter. The album has it all and progresses through…
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Album Review: Edwyn Collins – Nation Shall Speak Unto Nation; Charming, heartfelt, and utterly compelling

  • March 12, 2025
  • Jim F
Few artists have demonstrated the resilience, charm, and sheer songwriting brilliance of Edwyn Collins. From his early days fronting the influential Orange Juice to his solo success with A Girl…
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Album Review: KEG – Fun’s Over; Chaotic, unpredictable, and ultimately rewarding

  • March 11, 2025
  • Jim F
It’s hard to pin KEG down. A seven-piece with the chaotic energy of a band half their size but twice as frantic, they operate somewhere between post-punk, jazz, indie, and…
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Album Review: The Loft – Everything Changes, Everything Stays The Same; Timeless jangle-pop perfection.

  • March 11, 2025
  • Jim F
Ok. For those that know, you know. For those that don’t – here’s a quick history lesson. The Loft were one of Creation Records’ great nearly-made-it stories, the first of…
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EP Review: The WAEVE – Eternal; Dark, cinematic, and beautifully unsettling.

  • March 11, 2025
  • Jim F
The WAEVE’s new EP, Eternal, out this Friday via Transgressive, sees Graham Coxon and Rose Elinor Dougall continue their journey into the shadowy corners of modern life, crafting a sound…
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Album Review: Will Stratton – Point of Origin; A masterful showcase of contemporary Americana

  • March 10, 2025
  • Jim F
Will Stratton’s eighth album, Points of Origin, marks a notable evolution in his musical journey, showcasing a departure from his signature fingerpicking style (although it’s still evident on a handful…
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Album review: SKLOSS – The Pattern Speaks; Heavy, hypnotic, and unexpectedly beautiful

  • March 9, 2025
  • Jim F
Despite its post-metal and deep psych leanings, also perhaps metalgaze, if such a thing exists (the band prefer Spacegaze) —The Pattern Speaks is far from an exercise in unrelenting heaviness.…
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Album Review: No Frills –”Sad Clown” : Honest songs that chime and chill from Toronto’s Lo-fi indie realists.

  • March 8, 2025
  • John Parry
It’s been a while since anything’s been heard of Daniel Busheikin and his No Frills buddies. The Toronto band’s self-released debut album ‘Downward Dog’ trundled into the US college radio…
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Album Review: Clara Mann – Rift; A breathtakingly intimate debut that finds beauty in life’s fragility

  • March 7, 2025
  • Jim F
If there’s a lovelier indie folk record this year, we’d be surprised. With her debut album Rift, Clara Mann has created something quietly stunning—an album that pulls you into its…
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