Album Reviews Archives - Page 30 of 343

Album Review: KEG – Fun’s Over; Chaotic, unpredictable, and ultimately rewarding

It’s hard to pin KEG down. A seven-piece with the chaotic energy of a band half their size but twice as frantic, they operate somewhere between post-punk, jazz, indie, and…

View Post

View Post

Album Review: The Loft – Everything Changes, Everything Stays The Same; Timeless jangle-pop perfection.

Ok. For those that know, you know. For those that don’t – here’s a quick history lesson. The Loft were one of Creation Records’ great nearly-made-it stories, the first of…

View Post

View Post

EP Review: The WAEVE – Eternal; Dark, cinematic, and beautifully unsettling.

The WAEVE’s new EP, Eternal, out this Friday via Transgressive, sees Graham Coxon and Rose Elinor Dougall continue their journey into the shadowy corners of modern life, crafting a sound…

View Post

View Post

Album Review: Will Stratton – Point of Origin; A masterful showcase of contemporary Americana

Will Stratton’s eighth album, Points of Origin, marks a notable evolution in his musical journey, showcasing a departure from his signature fingerpicking style (although it’s still evident on a handful…

View Post

View Post

Album review: SKLOSS – The Pattern Speaks; Heavy, hypnotic, and unexpectedly beautiful

Despite its post-metal and deep psych leanings, also perhaps metalgaze, if such a thing exists (the band prefer Spacegaze) —The Pattern Speaks is far from an exercise in unrelenting heaviness.…

View Post

View Post

Album Review: No Frills –”Sad Clown” : Honest songs that chime and chill from Toronto’s Lo-fi indie realists.

It’s been a while since anything’s been heard of Daniel Busheikin and his No Frills buddies. The Toronto band’s self-released debut album ‘Downward Dog’ trundled into the US college radio…

View Post

View Post

Album Review: Clara Mann – Rift; A breathtakingly intimate debut that finds beauty in life’s fragility

If there’s a lovelier indie folk record this year, we’d be surprised. With her debut album Rift, Clara Mann has created something quietly stunning—an album that pulls you into its…

View Post

View Post

Album Review: Bob Mould – Here we go Crazy; A masterclass in melodic angst, blistering riffs, and raw emotion from a true alt-rock legend.

Bob Mould has never been one to sit still, and Here We Go Crazy, his 15th solo album, is proof that his songwriting fire burns as fiercely as ever. After…

View Post

View Post

Album Review: Divorce – Drive to Goldenhammer; Indie Rock at its most adventurous and heartfelt

Since emerging in 2021, Nottingham’s Divorce have carved out a reputation for genre-defying indie rock, fusing elements of folk, country, chamber pop, and alt-rock into something entirely their own. Their…

View Post

View Post

Album Review: Melin Melyn – Mill On The Hill; a wildly imaginative, genre-blurring trip through Welsh psych-pop wonder.”

Welsh psych-pop six-piece Melin Melyn have never been a band to simply write songs—they build entire worlds. Their long-awaited debut album, Mill On The Hill, is no exception, inviting listeners…

View Post

Pages