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Album Reviews

3364 posts
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Album Review: Sydney’s Georgia Mulligan Releases Soulful Debut Album ‘Nothing Wrong’

  • November 6, 2023
  • Jess Hutton
Sydney’s indie music scene has birthed yet another gem with Georgia Mulligan‘s debut full-length album, ‘Nothing Wrong‘. Mulligan’s poetic and contemplative style, infused with iconic Australian artistry, takes you on…
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Album Review: Melbourne supergroup The Ronson Hangup (featuring members of The Anyones, Dallas Crane, The Church, Even, Paul Kelly’s band and Courtney Barnett’s band) launch the celestial ‘Centaurus’ into the universe

  • November 5, 2023
  • Arun Kendall
Melbourne psych-pop supergroup The Ronson Hangup – featuring members of The Anyones, Dallas Crane, The Church, Even, Paul Kelly’s band and Courtney Barnett’s band – have launched their second album ‘Centaurus’ and…
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Album Review: The Wreckery’s visceral ‘Fake Is Forever’ is a triumphal return that has gestated and matured over 35 years. Launch date announced.

  • November 5, 2023
  • Arun Kendall
After 35 years, the uber cool The Wreckery are back and sounding as suave and brooding as ever in their brilliant new album ‘Fake is Forever’ released through Golden Robot Records. The…
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Album Review: The Offline – ‘La couleur de la mer’ : Ingenious cinematic soul funk with a fresh plot.

  • November 4, 2023
  • John Parry
So the soundtrack to an imaginary film makes a return in the hands of Hamburg composer/guitarist The Offline (aka Felix Müller) with his new album ‘La couleur de la mer’…
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Album Review: El Búho – ‘Strata’: Cumbia infused electronica to celebrate and satisfy.

  • November 3, 2023
  • John Parry
If anyone was going to justifiably lay claim to the tags ‘organic electronics’ or ‘natural electronica’ with any degree of credibility then that must be El Búho. The UK producer/DJ,…
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Album Review: Oh crap! There’s a new Evil Blizzard album

  • October 30, 2023
Photo Credit: John Middleham Evil Blizzard are the epitome of a marmite band. Their fans love to hate them and the band seem indifferent in return, like reticent siblings who…
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Album Review : New Age Doom & Tuvaband – ‘There Is No End’ : re-constituting electric rock and breaking real new ground.

  • October 28, 2023
  • John Parry
Unintentional maybe but the title of New Age Doom’s latest ‘There Is No End’ describes the extent of the Vancouver duo’s musical vision, reach and range. Drummer Eric J. Breitenbach…
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Album Review: A Journey into the Electronic Unknown – Australia’s King Gizzard & The Lizard Wizard Releases New Album ‘The Silver Cord’

  • October 28, 2023
  • Jess Hutton
In the dynamic landscape of the music industry, few bands possess the audacious, inventive, and unyielding spirit that characterizes Australia’s King Gizzard & The Lizard Wizard. With their 25th studio…
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Album Review: Bishopskin – Babble

  • October 27, 2023
  • Staff Writers
By Mimi Nicholson Bishopskin’s debut album Babble is almost liturgical, with its invocation of religious life and manyrepeated motifs. Rooted sonically in the traditions of folk-revival and London’s post-punk music…
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EP Review: Blake Reyes – Vernacular

  • October 27, 2023
  • Adrian Barr
The ‘Axis Jazz’ series continues with Milan based Blake Reyes. The album was recorded in 3 different cities including the legendary “Officine Meccaniche“ studio in Milan (Duke Ellington, Quincy Jones,…
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