Posts in category

Backseat Downunder

New releases from Australia and New Zealand

News: GANGgajang set to headline Nimbin Roots Festival in October 2024

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Premiere: Naarm/Melbourne Twin Sisters, Idol Minds, Enchant with ‘Needed You’ – A Mystical Odyssey Through the Intricacies of Love

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Live Gallery: Warpaint at the Oxford Art Factory 23.10.2023

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With a thundering, scything rhythm and vocals infused with a whiskey-soaked gravitas, Adelaide’s Larsen‘s new single ‘Eating Me Alive’ is a refreshing blast of melodic grunge, distinguished by a cutting guitar riff and a sound that advances and recedes like a tidal wave. Alex Andrews explains the themes behind the song: Accepting that expectations for …

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Melbourne duo Holy Holy have an infinite capacity to deliver sweeping melodic tunes that are layered, nuanced and euphoric (see our review of their 2017 album ‘Pain’). Their new single ‘How You Been’ does just that: it is an immersive piece that is a delightful sonic construction that combines a euphoric tone with just a …

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‘Chance’, by Sydney based artist Moody Beach, is a gloriously mesmerising shoegaze track that is filled with yearning and romance: a perfect slice of shimmering dream pop. There is a deep romanticism and melancholy: I was once the girlYou loved the mostLet me be the girlYou love the most Moody Beach is the work of …

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There is one thing patently obvious when listening to Methyl Ethel’s new single ‘Neon Cheap’: this is a band forging it’s own aural adventure and the result is something that is quite unique and highly impressive. Sweeping along on an almost funky flow – gently splashing guitars and a off-beat rhythm – the vocals are …

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The new song from Melbourne indie band Tiny Little Houses is a terrific humour-infused number with all the bottled up energy from a year burdened by lockdowns bursting out. It’s a refreshing drink from a cooling fountain. There is a frenetic and wry delivery: an arch observational veracity fueling a driving guitar-based pop. The lyrics …

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The latest compilation from the artist-produced mix series, Late Night Tales, has been curated by multi-instrumentalist, vocalist and producer Jordan Rakei. Rakei’s edition marks the first release of Late Night Tales’ 20th year, with Fila Brazillia in 2001 serving up the first of many mixes for music connoisseurs the world over. Subsequent compilations were released …

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The unique and exotic sounds of Dead Can Dance, fusing medieval music with gothic undertones and ambient textures are detectable in the shimmering new track ‘Deshta (Forever)’ from Dead Can Dance members Lisa Gerrard and Jules Maxwell. This follows the release earlier this year of the single ‘Noyalain (Burn)’ reviewed here. With Indian and Middle …

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There’s something evocatively Australian about suffering minor multiple injuries from a Bindii patch – a prickly monstrosity that lurks in the depths of the most unprepossessing yet beckoning green lawns during the summer months. Sydney artist Abby Bella May has charmingly built this phenomena into her delightful new indie pop single ‘Bindii Patch’. This is …

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While hardcore is a genre I usually don’t write about, a track like ‘Backburner’ from Brisbane band Wildheart shines with such a passion. Termed ‘melodic hardcore’ to be precise, which is a much more accessible genre, I presume, than non-melodic hardcore – what makes ‘Backburner’ so special is the deep heartfelt messages and the pure …

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Based in Christchurch, New Zealand, Emily C. Browning, with a background in Jazz and a career playing guitars for others, has just released her first solo work – the lovely single ‘I Wasn’t Into You Anyway’. There is a smart self-deprecatory sense of humour evident in both the song and the accompanying video – Browning …

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