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News


News: GANGgajang set to headline Nimbin Roots Festival in October 2024

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EP Review: Liverpool Genre-Bending Quartet Bonk! Shine On ‘The Act Of Doing It’ EP

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News: Bulgarian Neo-Soul Newcomer Nia Unveils Debut Single ‘111’

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Cradle of Filth

Cradle of Filth and DevilDriver will bring their co-headline tour to Australia this July, delivering full headline sets that span decades of extreme and groove metal, following a widely noted North American run in 2023.

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Rotting Christ will headline the festival and will be shredding their way back to Bristol, UK for the first time in 22 years. Greek Black Metal legends Rotting Christ will headline an intimate 500-capacity venue, within the magnificent Trinity Centre, Bristol, a converted Grade II* listed former church. This is a festival fly-in show for …

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Kim Wilde

Kim Wilde will return to Australia in 2026 with her Closer Tour, revisiting a catalogue that stretches from ‘Kids In America’ through to ‘You Came’ and beyond, reaffirming her long standing connection with local audiences.

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Courtney Barnett

Courtney Barnett has shared two new tracks, ‘Mantis’ and ‘Sugar Plum’, offering a clearer view into her forthcoming album Creature of Habit. The former captures a moment of unlikely inspiration, while the latter wrestles self doubt into something closer to optimism.

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Tame Impala

Tame Impala will return to Australia this October for four arena shows in Brisbane, Melbourne, Sydney and Perth, marking the local arrival of the Deadbeat tour. The newly expanded six piece outfit continues a run that began with sold out North American dates, with Ninajirachi confirmed as special guest on all shows.

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Groovin the Moo 2026

Groovin The Moo’s return to Lismore feels considered rather than nostalgic. Baker Boy arrives in the wake of DJANDJAY, stepping further into a creative chapter defined by confidence and cultural clarity, while Denzel Curry makes good on unfinished business with Australian audiences. Dope Lemon brings the slow burn of Golden Wolf, Matt Corby readies Tragic Magic, and Ninajirachi continues a steady rise after I LOVE MY COMPUTER reshaped her profile. Around them, local names and emerging artists give the bill a grounded edge, reinforcing the festival’s long standing relationship with regional Australia.

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Some things age like a fine wine. Originally a duo comprised of Ollie Browne (Art of Fighting/The Hoodangers) and Kristian Brenchley (S:Bahn, Degreaser), The Remotes released their debut album, ‘Lonely Tremor’, back in 1998, and they are now back with a fantastic new track ‘Ready for It’ that we are honoured to premiere here today. …

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Kayla the Crow

There’s a gentle bossa nova sway running through “The Door,” but its 5/4 pulse keeps things beautifully off-centre. Featuring Sannie Fox and produced by Josh Berry, the track embraces surrender over struggle. “The door is closing now,” Kayla sings with quiet acceptance, turning endings into a meditation on growth, transformation, and stepping into something new.

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The light that burns twice as bright burns half as long – one of my favourite quotes from one of my favourite movies (Blade Runner) – is an apt description for late eighties/early nineties Eora/Sydney band The Crystal Set. Disbanding almost immediately after the release of their epic second album ‘Almost Pure’ – an album …

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BLACK COUNTRY, NEW ROAD

At Sydney’s Enmore Theatre, Black Country, New Road unveil yet another reinvention, trading past glories for intricate new terrain drawn from Forever Howlong.

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