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Album review: Bill MacKay and Nathan Bowles – ‘Keys’: pull up a pew for bluegrass instrumental delight

You know what the best thing about Keys is; for all its intimacy, the focus wholly on how the two players and their instruments mesh,a real joy in creation rings through. William Tyler, Black Twig Pickers, Jack Rose fans; please come on over and pull up a pew

Charulata

Blu-Ray Review: Charulata

Indian cinema is often dismissed, on the world stage, as nothing more than simply Bollywood. This does a huge disservice to a diverse and rich film industry which caters for…

Track: Glass Animals release new version of ‘Heat Waves’ ft. Iann Dior

The heat continues to rise for Glass Animals as single Heat Waves gets a dynamic rap rework from next-gen US star Iann Dior (emotions, gone girl). The original track continues…

electricity

Grimmfest Review: Trans

As humans, we’ve long been fascinated with getting bigger, better, faster and stronger. Physical strength and muscular prowess have been a desirable feature, for obvious reasons, of soldiers and warriors…

See: Theo Alexander’s ‘Bright-Eyed Hunger’: London composer targets the dream state with his dazzling minimalism

LONDON pianist Theo Alexander likes to loop, to evoke the dreamstate, to explore the beauty of harmony and melody and repetition. He’s an album coming up on Toronto’s lovely Arts…

Album review: Balmorhea – ‘The Wind’: Texas post-classical duo present a lovely set for Deutsche Grammophon

Balmorhea draw a line back in the tradition to the much-missed Louisville, KY outfit Rachel's, who opted to take an idea and use whichever instrumental mix they found brought out the best of what they wished to convey. And The Wind roams freely and with precision across a spectrum from formal classical through a more pastoral take on the form and all the way out to ambient experimentalism, spoken word, found sound, with a unity and cohesion. It's just a lovely, thoughtful record; complex in its simplicity

Album review: Chihei Hatakeyama – ‘Late Spring’: a halcyon, beautiful ambient journey

Late Spring takes elements of IDM, shoegaze, and drone, and fashions them together in an impressionistic, delicious fog, with a pretty unique pastoralist feel, alive in nature. It's pretty much the only album I've ever heard that makes me reconsider such unassailable classics of the slow leftfield as Stars of the Lids' The Tired Sounds Of ... and Windy & Carl's Consciousness and made me think: whoah there guys, these records are a bit ... sharp-edged, right? Take it easy. Let it breathe. That halcyon. Late Spring is bloody, bloody beautiful.

Track: Hear Jim Stewart’s ‘Dead Sea’: the composer responds to a Paul Nash painting, taken from the forthcoming ‘Stills 01’ music and painting project

STILLS 01 is the first, beguiling three-track release from new imprint String and Tins Recordings that looks to marry the disciplines of music and fine art, insomuch as each piece…

Mara

Grimmfest Review: Mara

Memory is a fragile thing. Anyone with friends or relatives who suffer from dementia or Alzheimer’s know just how painfully true this can be. On the other hand, those suffering…

Track: Birthday Ass – ‘Plubbage Bubbage’: flicking the Vs at punk and jazz and making them dance with abandon

PRIYA CARLBERG, singer and wayward guiding light behind the fun as hell and wonderfully weird punk-funk concoction of Birthday Ass, won’t be drawn on the meaning of the title of…

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