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album review

598 posts
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Album Review: Mess Esque’s ‘Jay Marie, Comfort Me’ is an epically beautiful and assured album, released ahead of Australian and European dates.

  • April 19, 2025
  • Arun Kendall
Mess Esque, the collaboration between Helen Franzmann (McKisko) and Mick Turner (Dirty Three, Tren Brothers), follow up on their self-titled debut 2021 album (reviewed by me here) with the astronomically…
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Premiere: Naarm electronic shoegazers Double Happiness gives us an exclusive listen to their thrilling debut album ‘Derealisation’ – a deliciously dark gothic delight.

  • April 9, 2025
  • Arun Kendall
Not to be confused with Brisbane surfgaze band The Double Happiness, Double Happiness is the work of Naarm/Melbourne based multi-instrumentalist Sam Jemsek and we are ever so pleased to be…
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Album Review: Release the bats – Infinity Broke are rampaging through the cities with their excoriating, thrilling new album ‘This Masthead’.

  • April 3, 2025
  • Arun Kendall
It’s hard coming up with enough new superlatives to accurately describe an Infinity Broke album. Inevitably epithets and phrases such as contained chaos come to mind, along with freight trains…
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Album Review: End Scene declare ‘I Will Not Live Safe, I Will Live True’ in an album filled with beauty, self reflection and passion.

  • March 27, 2025
  • Arun Kendall
End Scene highly impressed us with their debut album ‘All My Ghosts‘ way back in 2021 and they are back with the expansive journey that is ‘I Will Not Live Safe,…
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Album Review: ‘After The Flood’ is a magnificent collaboration between legends Ed Kuepper and Jim White that glows with a passion.

  • March 22, 2025
  • Arun Kendall
Following a thrilling tour last year between the two icons of Australian indie music, Ed Kuepper and Jim White have released ‘After The Flood’ on 21 March through Remote Control Records. Kuepper has also announced…
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Album Review: Haters debut with ‘Non-Violent’ – a raw and abrasive delight that soars with passion and melody.

  • March 20, 2025
  • Arun Kendall
In the words of a poetic messiah, haters are going to hate, but here at Backseat Mafia’s antipodean outpost we love the new album ‘Non-Violent’ from Queensland’s indie punk band…
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Album Review: Steve Kilbey & the Winged Heels take ‘The Road To Tibooburra’ – an exquisite dreamy journey through the Kilbey expansive universe.

  • March 2, 2025
  • Arun Kendall
Ass soon as the anthemic jangles begin in the opening rack ‘Adrift’, you know you are back in the heavenly spheres of Kilbey land: where endless melodies flourish like the…
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Album Review: Aotearoa/New Zealand’s Nik Brinkman envelopes us in a shimmering veil of dreamy pop in his sophomore album ‘World Within’.

  • February 21, 2025
  • Arun Kendall
There is a dreamy heartbreakingly beautiful shimmer to the new album from Aotearoa/New Zealand artist Nik Brinkman that glows like the stars over the expansive southern hemisphere skies. Brinkman last…
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Album Review: Balinese gamelan orchestra Gamelan DanAnda collaborate with electro-jazz fusion group Firetail to release the enchanting album ‘Anglayang’

  • February 17, 2025
  • Arun Kendall
The collaboration between Naarm/Melbourne-based Balinese gamelan orchestra Gamelan DanAnda and electro-jazz fusion group Firetail has resulted in the fascinating album ‘Anglayang’ which has just been released through Komunitas Records. Creating…
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Album Review: The majestic Horsegirl unveil their stunning masterpiece ‘Phonetics On And On’, ahead of US. UK and European tour.

  • February 13, 2025
  • Arun Kendall
At the risk of using superlatives so early in a review, I haven’t got this excited about a band since I heard the first single from Fontaines D.C.. Originally from…
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