album review Archives - Page 5 of 61

Album Review: Tidal Peak unveils the breathtaking beauty of ‘Treasureville’ – a dreamy evocation of sunshine and vast oceans with a glittering melancholia.

Capricorn Coast band Tidal Peak , essentially the work of musician/producer Kyle Lacko, has just released an expansive, glittering album entitled ‘Treasureville’. It’s a collection of sparkling gems that seem to take…

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Album Review: Heligoland’s Karen Vogt releases the shimmering, ambient solo album ‘Haunted Woodland, Volume 5’.

Australian-born Karen Vogt plays in the Melbourne dream pop shoegaze band Heligoland – who a few years back toured Europe and forgot to return home, ending up based in Paris.…

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Album Review: Christopher Coleman & the Soft Knees Band release the gorgeous ‘Live At The Chapel’.

The poet laureate of the southern hemisphere Christopher Coleman & the Soft Knees Band collectively dispense heart rending lyricism over the most ethereal instrumentation in their new album ‘Live at the…

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Album Review: Party Crashers’ self titled debut album is a glorious indie pop delight.

Party Crashers features singer songwriter Robert F. Cranny who has a long history in the industry as one of the main architects of Sarah Blasko’s debut album ‘The Overture And…

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Album Review: Cam Butler (Ron S Peno and the Superstitions) releases new solo album, the ethereal ‘Spirits Flying Home’, ahead of launch gig.

Cam Butler is a multi instrumentalist and producer who was also the co-writer of songs with the late and legendary Ron S Peno (Died Pretty) in the fabulous Ron S Peno and…

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Album Review: Lutruwita’s Meres unveil the excoriating and blistering sonic tornado of debut ‘WORRIED SICK’

Meres, fronted by the enigmatic and creative force of Mary Shannon (also in the magnificent Dvrkworld) have just released their debut album ‘WORRIED SICK’ and it has the sonic effect…

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Album Review: ‘I Love What We Do’ – It’s Geoffrey O’Connor’s world and we are delighted to be immersed in his luscious sonic romanticism.

Geoffrey O’Connor creates a world of breathlessly beautiful chamber pop, rich and luscious with an infectious sensibility that takes its genesis from the sixties – a sort of Burt Bacharach/Max…

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Album Review: Mess Esque’s ‘Jay Marie, Comfort Me’ is an epically beautiful and assured album, released ahead of Australian and European dates.

Mess Esque, the collaboration between Helen Franzmann (McKisko) and Mick Turner (Dirty Three, Tren Brothers), follow up on their self-titled debut 2021 album (reviewed by me here) with the astronomically…

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Premiere: Naarm electronic shoegazers Double Happiness gives us an exclusive listen to their thrilling debut album ‘Derealisation’ – a deliciously dark gothic delight.

Not to be confused with Brisbane surfgaze band The Double Happiness, Double Happiness is the work of Naarm/Melbourne based multi-instrumentalist Sam Jemsek and we are ever so pleased to be…

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Album Review: Release the bats – Infinity Broke are rampaging through the cities with their excoriating, thrilling new album ‘This Masthead’.

It’s hard coming up with enough new superlatives to accurately describe an Infinity Broke album. Inevitably epithets and phrases such as contained chaos come to mind, along with freight trains…

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