Posts in tag

backseat downunder


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

Read More

Premiere: Naarm/Melbourne Twin Sisters, Idol Minds, Enchant with ‘Needed You’ – A Mystical Odyssey Through the Intricacies of Love

Read More

Live Review: The Sweet Success of Gumball 2023! Dashville NSW 23.04.23

Read More

‘Moral Outage’, from Magnetic Heads, is a sparkling ensemble of eighties-influenced, synth-based tracks that resonate with a darkness and refined intelligence. And when I say eighties, I mean the good stuff. Intertwining threads draw in the synth giants of Heaven 17, Cabaret Voltaire, New Order, The Beloved and even Devo, while the delicate intricacies of …

If you are in the mood for a bit of psychotic psychedelia with an infusion of chemical cocktails and a backpack full of barely suppressed chaos and self-deprecatory humour – and after all, who isn’t in the current climes – then Bagful of Beez has just the thing for you with the appropriately named single …

Sydney’s Moody Beach (the work of Melissah Mirage) has been catching the attention of Backseat Mafia this year with her dirty, scuzzy brand of shoegaze dream pop, delivered with a shot glass full of swagger and a black leather jacket draped attitude. Two earlier singles this year, ‘Chance’ and ‘The Other’, set the radar blinking, …

The shock announcement that veteran indie band You Am I‘s enigmatic Tim Rogers was joining venerable Australian punks The Hard-Ons as a permanent frontman is only matched by the immediate surprise release today of a new single and news of an album from the iconic band. The new album, amusingly entitled ‘I’m Sorry, Sir, That …

Gliding out of the world’s most remote city, Perth, duo The Money War (Carmen and Dylan Ollivierre)  have today released the ethereal and dreamy track ‘Miles Away’. This is a coasting, sparkling and very delicious slice of melancholy, punctuated by the most languid and evocative breathy saxophones and subtle horns, and gilded by reflective, immersive …

There is something very distinctive in the air. New Zealand’s Flying Nun signees Sulfate have followed up their debut single ‘Crossing’ (reviewed by me here) with a brilliant brooding, fuzzy ‘There You Are!’: coasting over an insistent bass, barely contained feedback and singer Peter Ruddell’s (Wax Chattels) voice a deep, sonorous ominous rumble. There is …

Geoffrey O’Connor, who played in iconic Melbourne pop band Crayon Fields, has just released a magnificent solo album, ‘For As Long As I Remember’, and it is a shining beacon of sparkling, intelligent pop that provide aural succour during these dark times. Every song features duets with iconic singers which adds textures and layers that …

Eilish Gilligan has a voice like a bell – it rings with an authenticity and clarity, imbued with personal expression and personality. Her subject matter has always been raw and personal: detailing the travails of a twenty-something filled with vulnerabilities, anxieties and yet empowered and resilient in that open self-expression. Her new EP, ‘First One …

‘Heartbreaker’, the new single from Melbourne multi-talented, multi-instrumentalist Brigitte Bardini is a smooth, gurgling dream pop delight that coasts along on a bed of bubbling electronica, creating an ethereal and transfixing fugue. The soundscapes painted by Bardini are rich and lush: many layers of sounds and effects mix and melt together into something hypnotic while …

The golden tonsils of Sydney musican Dominic Breen return with another shimmering classic track ‘Hey, Only If You Want To’ as he announces the release of his debut album ‘Blue Volume’ for 1 October 2021, through Double Drummer label. We last heard from Breen with the release of his brilliantly lush single ‘James Street Tonight’ …