Just ahead of their upcoming Green Electric Tour, Dallas Frasca and Sarah McLeod have released a new collaborative single, ‘Til It’s Gone’. Out via Spank Betty Records and Community Records, the track brings together two voices that have long operated on parallel paths in Australian rock, now aligned around a shared purpose.
Produced by Frasca, with mixing from Andy Baldwin and mastering by Lachlan Carrick, ‘Til It’s Gone’ sits comfortably in classic rock territory. Blues-inflected guitars provide a steady foundation while Frasca and McLeod trade lines and harmonise with restraint, letting tone and phrasing do most of the work. The balance between their voices is deliberate rather than showy, with neither performance overpowering the other.
Lyrically, the song looks outward. Inspired by Joni Mitchell’s ‘Big Yellow Taxi’, it addresses environmental inaction with clarity rather than slogans, framing the issue as a series of choices already being made. That perspective carries directly into the Green Electric Tour, a 15-date national run designed to actively reduce touring emissions while supporting environmental and community organisations.
The track was recorded across three Victorian home studios, including Frasca’s, McLeod’s and drummer Josh Barber’s Church Studio in Mollongghip. The low-impact, DIY process mirrors the tour’s intent, reinforcing the idea that scale and effectiveness do not need to be linked. It is a practical approach rather than a symbolic one.
For McLeod, whose career spans decades both as a solo artist and as frontwoman of The Superjesus, the collaboration aligns with her long-standing advocacy within the industry, including her role as Chair of Australian Women in Music. For Frasca, fresh from the release of Force Of Nature and a recent run supporting ZZ Top, the project continues a pattern of pairing raw performance with intent.
Working alongside Green Music Australia, the tour includes a sustainability levy to fund measurable actions, while also supporting Seed Mob. ‘Til It’s Gone’ functions less as a statement piece and more as a document of where both artists currently stand: engaged, pragmatic and focused on what can still be changed.
Tickets available at dallasfrasca.com or sarahmcleodofficial.com
