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Laure Calamy


The French have a knack when it comes to stylish and sexy thrillers. There’s something about the Gallic temperament which provides for scintillating and electric cinema. Over the years we’ve been spoiled by a high standard of output. From such classics as Chabrol’s Le Boucher or Clouzot’s Les Diaboliques to modern greats like Canet’s Tell …

Even though the central characters of most coming-of-age films may not start out as nice or good, they almost always eventually end-up that way. Whatever life has thrown at them, they have an unerring capacity to come out the other end and embark on a hopeful future. Not so the case in Léa Mysius’ ridiculously …