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Liam Cunningham


There was a period during the first decade of the new century that Neil Marshall was the great hope of British genre cinema. With the release of The Descent back in 2005 it seemed like he could do no wrong and Hollywood beckoned. However, the relative disappointment of his follow ups, Doomsday and Centurion, meant …

It’s perhaps quite apt, given what has been happening around the world, that Brady Corbet released his directorial debut in 2016. It rides this year’s wave of growing right-wing sentiment. However, whilst we can see the end product of years of political neglect and failure to combat unpalatable (and sometimes justified) opinions, the American film-maker …