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Snowdrops

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Album review: Christine Ott – ‘Time To Die’: French composer returns to Gizeh for a modern compositional masterclass

  • April 5, 2021
  • Chris Sawle
Without a doubt one of the most potent voices in modern composition today, Christine Ott is as happy to push right out into dark, even industrial-infused experimenta as she is to play a straight bat with absolute confidence in the deeper classical tradition and the wider avant-garde palette; she can do it all, if she chooses, and when she breathes the ondes Martenot into life; there really is no one to touch her
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Premiere: Christine Ott – ‘Landscape’: haunting modern compositional pastoralism

  • March 5, 2021
  • Chris Sawle
THE FRENCH composer and multi-instrumentalist Christine Ott can never be accused of running with the pack in her compositional aesthetic; down the years since her first release, Solitude Nomade, in…
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ALBUM REVIEW: Snowdrops – ‘Volutes’: chamber duo expand the post-classical palette with true beauty

  • October 21, 2020
  • Chris Sawle
Snowdrops have taken the post-classical palette to another place again with their use of two of the more overlooked pioneering electronic instruments, and produced a work that at its least, is intensely transporting; and in its two twin peaks, “Comma (variation 1)” and “Ultraviolet”, close to too beautiful, heartbreakingly so.
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