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Album Reviews

3382 posts
  • Album Reviews
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Album Review : Soulful Songstress Tokunbo releases stunning album ” Golden Days “

  • March 5, 2022
  • Lara Eidi
Not every artist finds the task of creating something beautiful out of something challenging easy. That’s certainly not the case for Tokunbo. Although this kind of artistic process often results…
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Album Review: Onlooker – Total Rest

  • March 4, 2022
  • Craig Young
After teasing us with a selection of singles released late last year northern garage rockers Onlooker finally released their album ‘Total Rest’ First track ‘An Introduction To guitar Music’ is…
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Album Review: Societe Etrange – Chance: Pulsating dub and post rock electronics from Lyon

  • March 4, 2022
  • John Parry
Though long established in the Lyon post punk/electronic scene, Societe Etrange look set to extend their wavelength with a pulsating new album ‘Chance’ (available on Bongo Joe March 4th onwards).…
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Album review: Shane Parish – ‘Liverpool’: pulling sea shanties leftfield and forward, forward, ho! for a post-industrial, post-rock generation KICKERS

  • February 28, 2022
  • Chris Sawle
IF YOU don’t know Shane Parish and his oeuvre – and chances are, unless you’re a regular reader of Wire and the deeper corners of Pitchfork and suchlike, you possibly…
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Album review: Duncan Marquiss – ‘Wires Turned Sideways In Time’: Phantom Band guitarist conceives of an instrumental, pastoral motorik for a place yet to exist

  • February 28, 2022
  • Chris Sawle
FROM disastrous events that upend your world can sometimes come good things; sometimes, I’m no Pollyanna here. Fortunately for Duncan Marquiss, guitarist with Chemikal Underground’s The Phantom Band, a major…
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Album Review: Coyle Girelli – Funland

  • February 27, 2022
  • Craig Young
Coyle Girelli is an English singer, songwriter, producer and multi-instrumentalist who has previously fronted the alternative rock bands Your Vegas and The Chevin. Based in Manhattan, New York for the last decade,…
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Album Review: The Ano Nobo Quartet – ‘The Strings of Sao Domingos’: guitar driven rhythms and sumptuous songs from Cabo Verde’s soul.

  • February 27, 2022
  • John Parry
New York’s Ostinato Records mission to recover and re-examine the rich legacy of lost musical cultures is tireless. You may have already been knocked out by the label’s benchmark trio…
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Album Review: Christopher Coleman and the Great Escape releases the statuesque and breathtakingly beautiful album ‘The Great Tasmanian Escape’, and announces launch date in March.

  • February 26, 2022
  • Arun Kendall
‘The Great Tasmanian Escape’ can proudly take its place amongst the great Australian albums and songs that beautifully capture the landscapes, skies and very heart of the land. Albums from…
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Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

  • February 25, 2022
  • Chris Sawle
WHITNEY JOHNSON has been releasing albums that explore gorgeous deep inner space in song and sound as Matchess for a number of years now. She began in 2015 with the…
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Basia Bulat Standing in a Garden
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Album Review: Basia Bulat – The Garden

  • February 25, 2022
  • Mark Gannon
Canadian chanteuse Basia Bulat has revisited and reworked tracks from her previous five albums on latest release, ‘The Garden’. It’s out on Secret City Records on 25th February, initially only…
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