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Album Reviews

3382 posts
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Album review: Claude Cooper – ‘Myriad Sounds’: taut, essential Bristol jazz breaks and cinematic LSD groove

  • January 24, 2022
  • Chris Sawle
CLAUDE COOPER: a jazz breaks legend in his own lifetime, should he even exist; for who CC is remains a complete mystery. Certainly to me. Certainly to you. One physical…
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Album Review: Palace celebrate resilience in the midst of fear with ‘Shoals’.

  • January 21, 2022
  • Lara Eidi
“Consider them both, the sea and the land; and do you not find a strange analogy to something in yourself?” Herman Melville. If I were to try and capture the…
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Album Review: Boris – W

  • January 21, 2022
  • Greg Hyde
In July 2020, Tokyo experimental metal trio Boris released ‘NO’, their fastest, loudest, heaviest album for several years, one that eschewed the drone metal elements of much of their recent…
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Album review: The dark delights of Boy Harsher’s new album ‘The Runner (Original Soundtrack)’ dropping tomorrow via Nude Club/City Slang

  • January 20, 2022
  • Tania Ogier
From fetish clubs to catwalks, Boy Harsher have amassed a cult-like following for their broody, atmospheric beats. Stepping up the cinematics, in addition to Friday’s album release they’ve just premiered…
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Album Review: Minute Taker – Wolf Hours

  • January 19, 2022
  • Kevin Paterson
If you read Minute Taker’s bio, you’ll notice the references to eighties music, and the stars of the time who have inspired him. In the past, he’s even covered several…
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Album Review: Emily Barker and Lukas Drinkwater release the shining new covers album ‘Room 822’ and announce Emily Barker tour dates

  • January 18, 2022
  • Deb Pelser
Emily Barker has just released a ‘Room 822’ her new album, which is a homage to 10 iconic Australian songs. The album was recorded in a Perth hotel room when…
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Album Review: Pretty City sign out for now with a magnificent and brilliant album ‘Out The Inside’

  • January 17, 2022
  • Arun Kendall
Years of touring and personal demons rent Melbourne band Pretty City and tore them apart, but despite the trauma and challenges, the band collectively agreed to release their final collection…
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EP: The implausible combination of Lime Cordiale and Idris Elba release ‘Cordi Elba’: a veritable sunshine-filled aural tonic for the troops.

  • January 15, 2022
  • Arun Kendall
I don’t know about you, but the past two years have been pretty awful, what with pandemics and blighted putrescent politicians injecting that little extra layer of pain with their…
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Album Review: Overland Inn’s ‘Proxima’ is a sensual, liquid melange of bubbling electronic delights.

  • January 14, 2022
  • Arun Kendall
The liquidity of movement and sensual overload in French Czech-based duo Overland Inn‘s new album ‘Proxima’ is nothing short of magnificent. Heralded by a series of delectable amuse-bouches over the…
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Album review: Die Wilde Jagd – ‘Atem’: a dark, occluding drone masterwork

  • January 10, 2022
  • Chris Sawle
DIE WILDE JAGD – it translates as “The Wild Hunt”, Anglophones, which will surely be the only possible connection to Swedish troubadour The Tallest Man on Earth we shall ever…
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