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Album Reviews

3382 posts
  • Album Reviews
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Say Psych: Album Review: A Place to Bury Strangers – See Through You

  • February 4, 2022
  • Le Crowley
A Place To Bury Strangers release See Through You today on Dedstrange, a label of their own devising. Fans all over the globe know Oliver Ackermann always brings surprises. The singer…
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Album Review: Ceramic Animal – Sweet Unknown

  • February 3, 2022
  • Alex Holmes
New signings to Black Keys’ frontman Dan Auerbach’s fledgeling Easy Eye Sound label Ceramic Animal release their new album, ‘Sweet Unknown’, on March 4th. Hailing from Doylestown, Pennsylvania, Ceramic Animal’s…
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EP: Sydney’s A Place In The Sky unveils the melodic pop jangle brilliance of ‘Isolation’.

  • February 2, 2022
  • Arun Kendall
‘Isolation’, from Sydney band ‘A Place In The Sky’ is a pulse-quickening and heady collection of jingle jangle pop classics, with vaulting choruses and harmonies that sparkle and shine. There…
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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

  • January 31, 2022
  • Chris Sawle
THE JAZZ BUTCHER is one of those artists who make indiepop kids of a certain generation go misty eyed, and with good reason; Pat Fish, the man behind the jazz…
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Album Review: Dowdelin – ‘Lanmou Lanmou’: Creole rhythms and a Soul-Jazz twist make for the sound of now.

  • January 29, 2022
  • John Parry
It’s been over a couple of years since Lyon located fusionists Dowdelin were last seen bouncing across the WOMAD stage and pulling the horizontal sun soakers up onto their dancing…
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EP Review: Jeremiah Moon – Sputnik

  • January 29, 2022
  • Craig Young
Seattle-based singer/songwriter/classically trained cellist and illustrator Jeremiah Moon has released his debut solo EP – Sputnik. The EP was recorded with friend and producer Adam Black in a remote cabin in Florence,…
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Say Psych: Album Review: Yard Act – The Overload

  • January 25, 2022
  • Le Crowley
In many ways, Yard Act exist through the fusion of seemingly opposing entities. Old friends in a new band, they seek out shades of socio-political grey, imbibing their stories with…
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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

  • January 25, 2022
  • Chris Sawle
THE WORLD of Belgian Eastern jazz outfit Black Flower is a well-woven and beautiful one; the quintet this week unveil their sixth full-length album for Ghent’s rather groove-obsessed Sdban Ultra…
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Album review: Beirut – ‘Artifacts’: a masterful and beautiful voyage through Zach Condon’s early years in EPs, Bs and offcuts

  • January 24, 2022
  • Chris Sawle
MISSION CREEP. One of those pseudo-economic terms that make the decent among us go “eeep”, defined in dictionary terms as “a gradual shift in objectives, often resulting in an unplanned…
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Album review: Group Listening – ‘Clarinet & Piano: Selected Works, Vol. 2’: essential ambient reworkings with a real sense of place

  • January 24, 2022
  • Chris Sawle
GROUP LISTENING is a pairing of two very fine Welsh musicians: Cardiff’s Paul Jones, a deft jazz and experimental pianist and arranger who first worked with his partner on this…
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