Album Reviews Archives - Page 109 of 337

Album Review: Cluster Lizard – Star Corsair

Overview: Freedom of the Star Corsair “Whoever wishes the eternal, must leave the temporal behind”. Cluster Lizard: While meditating on the concept of our next album, we listened to the…

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Album Review: Louie Short – Omw 4ev

Toronto / Los Angeles artist Louie Short has giving us an album where “The genre is songs” and where he is the sole creator on this collection of DIY aesthetics. An…

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Album Review: Golden Fang release the elegantly razor-sharp album ‘The Man With Telltale Scars’, a profound and moving magnum opus with bite.

Golden Fang for the most part eschew traditional song structures. Not for them the old verse/chorus/verse/chorus/middle eight break/chorus pattern: each of their tracks feel more like special moments in time…

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Album Review: Apollo Stands – Interstellar

Norwich metal band Apollo Stands have released another album of their unique brand of British metal that takes influences from a wide range of genres. The huge cinematic opening that…

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Album review: Ben Chasny – ‘The Intimate Landscape’: Six Organs’ driving light delivers an instrumental fingerstyle masterclass

LIKE all of us, I guess, Ben Chasny, the man behind the psychedelic guitar explorers Six Organs of Admittance, is a person of many facets; forget the personal here, we’re…

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EP: Flowerkid’s ‘Everyone Has A Breaking Point’ charts a poignant journey of pain, growth and resilience over perfect pop structures.

The Sydney prodigy Flowerkid (twenty-year old singer, songwriter and producer Flynn Jorge Sant) has just released his debut EP ‘Everyone Has A Breaking Point’ and it is a stark reflection of a three…

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Album review: Tom Dissevelt – ‘Fantasy In Orbit’: seminal Dutch space-age electronica gets a deserved reissue

WELCOME. Now, before we fasten your belts – they’ll keep you safe against the enormous Gs as we break the atmosphere, gain the vast promised land of outer space –…

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Album Review: Mess Esque (with members of Dirty Three and McKisko) release a dreamy visceral masterpiece in debut self titled album

If you ever listened to or seen Dirty Three, you will appreciate that their music and presence could be described as barely constrained chaos: a mesmerising and full tilt sonic…

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Album review: Devin Hoff – ‘Voices From The Empty Moor (Songs of Anne Briggs)’: the canon of the Notts folk free spirit judiciously reinvented

BASSIST Devin Hoff may well be one of those names little known to you, but whose invaluable contributions to a record you’ve likely loved; as a four-string sharpshooter of absolute…

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Album review: Poppy Ackroyd – ‘Pause’: solo piano pastoralism excellently captures a life lived this past year

WITH four albums proper, so to speak, under her belt – Escapement and Feathers from further back last decade, and a brace for what’s now One Little Independent in 2017,…

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