Album Reviews Archives - Page 111 of 337

Album review: David Lance Callahan – ‘English Primitive I’: raw punk-raga and a septet of scorching tales

OVER two phases of potent reports from the real England, with an interregnum of two decades between, David Lance Callahan and The Wolfhounds have consistently filed detailed documentation from the…

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EP: Wolf & Chain’s ‘Amor Mortal’ is a romping cathartic blast of delicious theatrical excess

At the very heart of rock’n’roll must lurk the innate desire for the smell of the greasepaint and the glare of the floodlights: theatrics must surely form the very DNA…

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EP: Whatever, Forever release the epic melodic punk EP ‘Slowly Dying With You’

To reinvent yourself is to grow, adapt and mature. Change is an intimidating peril that can reveal the best and worst of most artists. Sydney emo-punk trio Whatever, Forever have…

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Album Review: The legendary Even jangles up a storm with their sparkling, immersive double album ‘Reverse Light Years’

Nothing succeeds like excess, and when it’s a double album of melodic anthems infused with a sixties pop harmonies, seventies guitar solos and an eighties/nineties mix of jangling guitars and…

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Album Review: Kulk – We Spare Nothing

Kulk’s new album ‘We Spare Nothing’ comes a year after the release of their dense and fuzzed out debut ‘here lies kulk’ and sees the band elevating their monolithic brand…

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Album Review: Molybaron – The Mutiny

After the French-Irish quartet Molybaron recently landed a deal with InsideOut Music / Sony Music Entertainment, and have re-released their album The Mutiny. Singer Gary Kelly says: “We’re absolutely delighted to have…

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Album Review: Lily Konigsberg – Lily We Need To Talk Now

Brooklyn-based artist, Lily Konigsberg from the band Palberta has released her debut album, Lily We Need To Talk Now via Wharf Cat Records. The eleven-track collection is her first proper full length, following her anthology…

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Album Review: Chelsea Carmichael – The River Doesn’t Like Strangers

Engineered at London’s iconic RAK studios by Will Purton and recorded with Eddie Hick (Sons of Kemet), Dave Okumu (The Invisible) and Tom Herbert (The Invisible; Polar Bear), The River…

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EP review: Clarice Jensen – ‘Identifying Features’: a second, delightful leftfield venture into filmic cello

WAY BACK in January we took a dive into Ainu Moisir – our full review can be found, here – a deft, brief quarter-hour of exploratory cello and electronica meshing…

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Album Review: GB3 – featuring Steve Kilbey (The Church) and Glenn Bennie (Underground Lovers) – unveil ‘Sakura Flower’ and release featured track ‘When I Come Calling’. Full review and pre-order.

There have been rumours circulating all year, but it’s official now: a collaboration between two giants of the Australian indie scene – Steve Kilbey from The Church and Glenn Bennie…

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