Album Reviews
EP: Squid – Natural Resources
Squid, the Brighton based, noisome post-punk band who recently released their Sludge/Broadcaster single, have today shared an EP of covers entitled Natural Resources. The EP includes Squid‘s take on the brilliantly bizarre Pigs (In There) by Robert Wyatt, which they initially premiered at End of the Road Festival 2019. It also sees them cover Steve …
ALBUM REVIEWS: Andrew Elaban – ‘Variegated Tributary’/Claire Rousay – ‘Tuufuhhoowaah’: by turns, handsomely dronesome and fiercely plunderphonic
WHITED SEPULCHRE is one of those loving little curators of out-musics that play nuanced and important roles in our lives: their guiding light is that these creations are out there, finding the ears of those who are receptive, who will swoon, who’ll gather little aural treasures to their chests. The label has been operating out …
EP Review: Dana Gavanski – ‘Wind Songs’: covers remoulded, lauded, brought into the light
MORPHIC resonance is one of those curious little theories out on the borders of the scientifically credible that nevertheless contain intriguing possibilities. Simply put, it states that once something enters the realms of the possible and probable, it’s infinitely more likely for that idea to begin occurring elsewhere; an illustration is that when comes time …
ALBUM REVIEW: Jeremy Tuplin – ‘Violet Waves’: velvety psych-folk for the discerning gent about town
HUSH up at the back there. Yes, I know you have a deep ennui at the way this virus-laden summer is developing. It’s not great, I agree. And on top of it all, we even suffered Glastonbury weather through June. No, we can’t go get ice cream. We still have music. Glorious, bewitching, mind-expanding music. …
EP REVIEW: Black Marble – ‘I Must Be Living Twice’: a quintet of diverse covers receive a fine marbling
THE cover version. It’s a weird strand in music, really; an appreciation, a deconstruction, an act of utter iconoclasm. But don’t you love one; don’t they just appeal? Think of covers that have been more successful than the original. Think the Left Banke’s “Walk Away Renee”, made a global soul hit by The Four Tops; …
ALBUM REVIEW: Busty and the Bass – ‘Eddie’: Canadian ensemble bring souljazz sass on their second
Busty and the Bass’s ‘Eddie’, their second, is cool, sophisticated, considered; sassy and brassy
Say Psych: Album Review: dreamweapon – Maelstrom X
Porto’s dreamweapon take their name from the 1990 Spacemen 3 live album ‘Dreamweapon: An Evening of Contemporary Sitar Music’, who themselves took inspiration from the work of minimalist drone – or ‘Dream Music’ – visionary La Monte Young and a 1965 multimedia piece titled ‘Rites of The Dreamweapon’ by original The Velvet Underground drummer Angus …
Meet: We chat with Carl Redfern (Golden Fang) and review the new album ‘Here.Now Here.’
The sound of Golden Fang is to some extent the DNA of the wild inner west of Sydney: raw, visceral and teetering on the brink of collapse. There’s constant movement, deeply ingrained cynicism, a little bit of theatre and a lot of self-deprecatory humour. And that neatly sums up and indeed encapsulates Golden Fang’s new …
ALBUM REVIEW: Liela Moss – ‘Who the Power’: pop that takes one last dance as the world ends
OVER the past couple of years and one very warmly received LP, Duke Spirit member and Bella Union solo artiste Liela Moss – watch your vowel placement with care, folks – has carved herself something of a niche for a strong and dark pop draught, heady with intensity, 80s’ melodicism, courage and a complete willingness …
Say Psych: Album Review: Autotelia – I
Autotelia, as originally coined by psychologist Mihaly Csikszentmihalyi, describes a process by which someone has a purpose in, rather than outside of themselves. Those who are autotelic depend less on external rewards for their satisfaction, being driven instead simply by purpose or curiosity. Such was the genesis of a new project put together by The …