Album Reviews
ALBUM REVIEW: Romare – ‘Home’: fashioning broken beat into a cerebral confection
HE’S been around a bit, has Archie Fairhurst, the artiste who releases cerebral and multifaceted grooves for Ninja Tune as Romare. It’s an overused trope, but Archie really has: he spent his childhood travelling constantly with his family as his parents moved around the world for work, before finally settling in the UK. All that …
Album Review: The Wee Cherubs – The Merry Makers
The ever-reliable Optic Nerve label are shedding some light on this obscure gem of a band who featured Martin Cotter, later to resurface in The Bachelor Pad, (chiefly remembered for the riotous ‘Country Pancake’ amongst other Buzzcocks meets Syd Barrett classics). The Wee Cherubs only released one 7” single during their brief existence, (‘Dreaming’ in …
Album Review: Fontaines D.C. – A Hero’s Death
If there is one thing Fontaines D.C. have stressed on the eve of the release of their second album ‘A Hero’s Death’ it is that people should not simply expect part two of their outrageously good debut, ‘Dogrel’. This is a Fontaines D.C. reboot, not a sequel. Singer Grian Chatten puts it quite buntly: I …
EP REVIEW: Wye Oak – ‘No Horizon’: boundless folk-rock choral vistas
WYE OAK have never been a band to stand still; to let the silt of being typecast, the ploughing of the same groove, hem them in. Debuting for Merge back in 2008 with If Children, they brought a real US alt.guitar edge to folk. Or was it a folksy edge to the alternative guitar sound? …
EP: Ben Hobbs – Better Weather
The new EP from South London producer and multi-instrumentalist Ben Hobbs provides a perfect platform and stepping stone to this new great sounding artist. Out from 31st July, Hobbs has concocted a four-track EP titled Better Weather that is part soul, part synth but wholly wonderous. The lead off track ‘Own Arms’ is a great …
Album Review: Silverbacks – Fad
Dublin’s Silverbacks are emerging as one of the most exciting bands coming out of Ireland at the moment: and there are quite a few. Their new album ‘Fad’ is a brilliant collection of raw, visceral and emotive tracks that fuses the punk sensibilities of compatriots like Fontaines D.C. with a more melodic and complex palette. …
ALBUM REVIEW: Ian Skelly – ‘Drifter’s Skyline’: Coral man takes a country-psych sabbatical
THEY came rushing off the Wirral back in 2002 – was it really that long ago now? – with the woozy and seductive psych shanties of “Dreaming Of You” and “Spanish Main”, brimming with swagger and confidence like a young Stone Roses. They knew they were good. Since then The Coral, its side projects and …
ALBUM REVIEW: Dmitry Evgrafov – ‘Surrender’: fashioning post-classical into new shapes
FATCAT’S boutique 130701 imprint is neck and neck with Erased Tapes as the stable of the sometimes rarified, always immensely listenable world of modern- and post-classical; especially the piano-based end of the colour wheel, the arena from which Dmitry Evfragov springs, and at which imprint he releases among the esteemed company of Max Richter, Johann …
Album Review: Jon Hassell – Seeing Through Sound (Pentimento Volume 2)
When Brian Eno has touted you as ‘the most influential composer of the last 50 years’, when you’re credited as raising cultural awareness with your ground- breaking Fourth World Music, when you’ve spent over 80 years on this planet, you might be tempted to kick back a little, put your feet up and bask in …
ALBUM REVIEW: William Tyler – ‘Music From First Cow’: chiming soundtrackery from Tennessee gent
IT SHOULDN’T really come as a surprise to anyone who has followed William Tyler’s solo career, or heard him give the background to any of his seductive, chiming guitar odysseys, that the day would come when he moved into soundtrackery – and perhaps particularly, the soundtracks for a well-made film about the old Americas. He has …