Bang Bang Romeo’s debut album is a genuinely difficult one for me to review. When I first unexpectedly encountered them back in March 2014 tearing …

For years I unfairly dismissed Willie and the Poor Boys as one of Creedence Clearwater Revival’s weakest albums. I can’t explain why this was the case, as it …

Sparks were in a weird position in the mid 90s. Once one of the most subversively inspirational acts, by the time Gratuitous Sax and Senseless Violins was released, …

Few fans of the band wouldn’t argue that Crime of the Century is by far and away Supertramp’s best album.

While 1987’s The Eight Legged Groove Machine was The Wonder Stuff’s statement of intent, ultimately it was little more than thrillingly scruffy post-punk guitar thrash aimed squarely …

Corridor have the unique distinction of being legendary label Subpop‘s first francophone signing. Hailing from Montreal, their newly released album ‘Junior’ is utterly endearing and …

For years I felt that Guerrilla was Super Furry Animals‘ untidiest album by some distance, never quite really holding it as close to my heart as I have their …

Led Zeppelin’s debut album was proof of concept for Jimmy Page, taking what Cream did with super-charged blues-rock, and just making it more slick and …

Follow ups to successful albums where the primary ingredient was humour are few and far between. Humour is a transient thing and can fall out …

The sheer brilliance of Melbourne’s Underground Lovers is only matched by the incomprehensible way they have remained under the global musical radar for so long …