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Album Reviews

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Album Review: Aaron Shaw – ‘And So It Is’: Tingling with raw beauty, an inspiring spiritual jazz statement.

  • February 16, 2026
  • John Parry
This has to be said upfront, even before you get deep into the music this album is inspirational. Saxophonist/ flautist Aaron Shaw, one of the names to be named on…
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Album Review: Bellbird – ‘The Call’: From free jazz to post rock, a quartet that find their own trajectory.

  • February 10, 2026
  • John Parry
Constellation Records have long provided a portal for the extraordinary experimental music which orbits around their Montreal home base, but here we have them opening the apertures and focusing in…
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Album Review: Christo Graham – ‘Good Covers’: An authentic singer-songwriter gem that shouldn’t get forgotten.

  • February 6, 2026
  • John Parry
Besides being an actor and graphic designer Christo Graham is one of those heart and soul singer/songwriters. You can’t imagine a day when there’s not a tune or lyrical snippet…
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Album Review: Zone Null – ‘Phase 1’: Taking the bass to unknown places- epic, long form electronic improv from the Berlin-based duo.

  • January 30, 2026
  • John Parry
Pounding into January with the irrepressible Ruptured Records and a debut album, ‘Phase 1’ from a new collaborative project Zone Null, featuring bassist Tony Elieh and electronic composer/performer Burkhard Beins.…
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Album Review: It’s all ‘In The Manifesto’ – Sacred Cowboys unveil a collection of attitude-laden gems that burn brightly.

  • January 30, 2026
  • Arun Kendall
Sacred Cowboys have been – and still are – a legendary bunch of misfits together in various forms since 1982, but always with Garry Gray as a mainstay at the reins…
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album review: megadeth, megadeth

  • January 30, 2026
  • Phil Pountney
Megadeth’s latest album arrives carrying a sense of gravity that’s impossible to ignore. Decades into a career defined by volatility, reinvention, and sheer stubborn survival, the band sounds acutely aware…
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Album Review: Mi3RAJ – ‘Callings Of The Owed’: Powerful and poetic electronic fusion from Cairo’s rising underground scene.

  • January 24, 2026
  • John Parry
A new project from their long lasting musical connection, poet/vocalist Mohamed Tarek Moussa and producer/multi-instrumentalist Abdelrahman Shaat (aka Mi3raj) emerge with a new album, the intense ‘Callings Of The Owed’…
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Album Review: KEELEY – Girl On The Edge Of The World

  • January 23, 2026
  • Simon Lucas-Hughes
Anglo-Irish artist KEELEY returns with her explosive third album, Girl On The Edge Of The World. Jangly and atmospheric, veering between grunge-edged intensity and ethereal, fuzz-soaked pop, the album occupies…
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Album Review: ‘I’m In My Brain Again’ – stunning debut from Slowcoaching reveals a luscious dreamscape and soaring melodies.

  • January 18, 2026
  • Arun Kendall
Slowcoaching is the nom de plume of Naarm/Melbourne musician Dean Valentino, and his debut album ‘I’m In My Brain Again’ is a delicious collection of dreamy songs that seem to…
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Album Review: Julianna Barwick & Mary Lattimore – ‘Tragic Magic’: A compelling, emotional electro-acoustic collaboration which haunts and hopes.

  • January 17, 2026
  • John Parry
Some collaborations are just meant to be and this is one of those. Composer, vocalist and electronic musician Julianna Barwick and experimental harpist Mary Lattimore have been more than crossing…
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