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Backseat Mafia
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See: The video for the nocturne dreampop glide of Wyldest’s ‘Beggar’: her album’s out late May

  • April 19, 2021
  • Chris Sawle
WYLDEST, the lyrically acute, gloriously dreampop project of Londoner Zoe Mead, has followed up her intelligent self-empowerment single drop from last month, “Hollow” (which you should so check out too)…
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Track: Toumani Diabate & The London Symphony Orchestra debut new track, ‘Elyne Road’

  • April 18, 2021
  • Lara Eidi
“ELYNE ROAD” is the debut track to premiere from the highly anticipated recording of the masterful collaboration between celebrated kora player Toumani Diabaté and the London Symphony Orchestra. The track is a…
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See: The acid prism of Plankton Wat’s ‘Modern Ruins’: a delicious psychedelic instrumental response to our fracturing world

  • April 18, 2021
  • Chris Sawle
DEWEY MAHOOD, the atmospheric psychedelic guitarist who released his twelfth album as Plankton Wat for Thrill Jockey, Future Times, in late February, has dropped the shroom-surreal video for one of…
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See: Ben Seretan – ‘Rain & Cicadas’: the piano in meshed susurration with the Appalachian rain

  • April 18, 2021
  • Chris Sawle
A FEW weeks ago we blissed into Sunday with New York songwriter and composer Ben Seretan’s absolutely luscious “Fog Rolls Out Rabun Gap”, the hero and protagonist of the piece…
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Album Review: Bob Evans unveils ‘Tomorrowland’ – a sparkling and shimmering journey through time – along with news of an Australia-wide tour

  • April 18, 2021
  • Arun Kendall
Australian indie giants Jebediah’s front person was Kevin Mitchell, and Mitchell, in turn, is Bob Evans – a persona created to deliver Mitchell’s solo work. His new album, ‘Tomorrowland’ is…
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Track: Rhys Langston – ‘a two state solution to soak eye contact’: cracking the political lyrical prism with an Anticon touch

  • April 17, 2021
  • Chris Sawle
ATTENZIONE, lovers of rhyme and lyricism transmitting in from the leftfield; come May 19th, POW Recordings will be presenting a new album from Los Angeles’ Rhys Langston, splicing oblique but…
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Track: Bobby Oroza – ‘Loving Body’: a waking lover’s dream of a soul nugget

  • April 17, 2021
  • Chris Sawle
RAISED in Helsinki’s east side by a Latin mother and a jazz guitarist father, the music seized Bobby Oroza from an early age; an excellent familial record collection included Motown,…
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Track: Dutch Wine – ‘Whisky’: Glaswegian indie trio mourn a lost love in mantric guitar

  • April 17, 2021
  • Chris Sawle
BE IN no doubt; the Glaswegian indie scene is one these isles should be thankful for. Having produced so many great bands since the days of the post-punk – c’mon,…
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EP Review: Juice Webster’s ‘More Than Reaction’ is a cinematic, chilling and beautiful masterpiece

  • April 17, 2021
  • Arun Kendall
Juice Webster‘s spectacular new EP ‘More Than Reaction’ was born during the early months of January 2020 when flames engulfed Australia, serving as a prelude to the COVID lockdown months…
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Track: Offshore Projects deliver a wistful indie pop anthem in ‘Early Morning’

  • April 17, 2021
  • Arun Kendall
Offshore Projects is the solo work of one Jonas Nicholls, formerly of Sydney indie pop band SURES. His single ‘The Way I Fear’ reviewed earlier this year served notice that…
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