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Hells Bells Festival completes its 2026 line up

  • April 8, 2026
  • Phil Pountney
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PRO-PAIN and THE ANALOGS complete HELLS BELLS FESTIVAL 2026 line-up

Hells Bells Festival has revealed the final two bands for its debut edition, which will take place in Poland on 26-27 June 2026.  

Leading the final announcement is Pro-Pain: a cornerstone of the NYHC scene for over three decades and synonymous with uncompromising, groove-laden aggression. Since their early 90s debut, Foul Taste of Freedom, they have remained one of the most consistent forces in the crossover scene, bridging the gap between thrash metal and New York hardcore with a discography packed with anthems. Their performance on the opening Friday will celebrate the band’s 35th anniversary and is set to be a definitive moment for fans of the metal-hardcore crossover.

Joining them are the local heroes, The Analogs. Formed in Szczecin in 1995, they have grown to become the most recognisable and influential street punk band in Poland, boasting a substantial following abroad as well. Over three decades, their music has served as a raw and honest chronicle of gritty realities and social struggles. For this homecoming show, the band will perform a special, curated set consisting exclusively of classics from their earliest, most iconic albums, offering the Szczecin crowd a high-octane trip through the foundations of the Polish underground.

Beyond the established billing, the festival will soon launch a dedicated band contest, offering a unique opportunity for emerging acts to join the 2026 lineup and showcase their music on the Szczecin waterfront. 

Pro-Pain and The Analogs join a line-up that covers heavy metal, punk, rock and extreme metal. Across three stages, the festival will deliver everything from the traditional heavy metal majesty of Dirkschneider and Grave Digger to the extreme sonic violence of Possessed, Vader, NunSlaughter, and Dead Congregation. The thrash metal contingent is bolstered by the technical assault of Gama Bomb and the legendary Frank Blackfire, while the fuzz-drenched riffage of Belzebong provides a stoner-doom counterpoint. 

The punk and hardcore legacy of Discharge, UK Subs, Cockney Rejects, The Last Resort, and local icons The Analogs and Dezerter stands alongside the horrorcore energy of Słoń and the avant-garde darkness of Furia and Dola. Furthermore, the festival remains a vital platform for the new generation, showcasing the rising power of The Materia, The Stubs, Owls Woods Graves, Hamulec, My Own Abyss, Seks W Czasach Wojny, Pretensje, Drowned In Silver and Diving Stove. 

As previously announced, the festival has entered its next pricing tier. This pool of tickets will be available only until 31 May 2026 (or until sold out): Full Weekend Pass (PLN 409), Friday Ticket (PLN 199), Saturday Ticket (PLN 229). The festival also continues to offer the discounted Youth Pass (ages 13-18) and Family Pass (adult with child under 13).

Tickets: https://hellsbells.pl/ 

Hells Bells Festival takes place at Plac Gryfitów on Łasztownia, a historic island district in Szczecin known for its iconic “Craneosaurs” (historic port cranes) and stunning views of the Oder River. Pundits will have access to local food vendors, bars and the vibrant atmosphere of Szczecin’s waterfront.

International Travel

Szczecin is one of Poland’s most accessible cities for international travellers, particularly those from the DACH and Nordic regions: Located just 150km from Berlin, the city is easily reached via direct trains (approx. 2 hours) or buses. Direct ferry links from Ystad and Trelleborg to nearby Świnoujście provide easy access for Swedish and Danish fans. Poland remains a highly cost-effective destination for international fans, with local prices for food, drink, and accommodation significantly lower than in many Western European festival hubs. 

Accommodation 

As a major regional centre, Szczecin offers a wide range of accommodation, from boutique hotels and family-run B&Bs to budget-friendly hostels and Airbnbs, all within easy reach of the festival site. 

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