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Posts by tag

album review

598 posts
  • Album Reviews
  • Music

ALBUM REVIEW: CAMERA – ‘Prosthuman’: the current Berlin motorik

  • February 15, 2021
  • Chris Sawle
SO, LET’S talk krautrock. In many ways, it’s all about the rhythm, isn’t it? Think Can; think Jaki Liebezeit, that perfect control, poise, underpinning. Motorik, propulsion, but also tremendous fills…
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ALBUM REVIEW: Indigo Sparke – ‘echo’: a jaw-dropping country-folk debut

  • February 15, 2021
  • Chris Sawle
You can hear Indigo's very essence shot right through echo. It's never less, at any point, than extremely lovely; at many points its genuinely bloody stunning. You know when someone has that alchemical it, and boy: Indigo incontrovertibly does. It's not an album to have on in the background, because it's far too arresting and enveloping, commanding. She's royalty in waiting on the leftfield folk scene. Astonishing; buy
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EP REVIEW: Tape Runs Out – ‘Ghost Fruit’: hail Cambridge’s new intelligent indiepop geniuses

  • February 15, 2021
  • Chris Sawle
I really, genuinely think Tape Runs Out may one day take a place in the pantheon of the proper eccentric, intelligent British pop genii - they can turn their hands in any direction they wish, know how to arrange a tune so it makes you sit bolt upright, aren't afraid to push that tune in whichever stylistic direction it seems to demand; yet are also completely enthralled to the brilliance of a well-turned pop song. Brilliant, insouciant and intelligent
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Album review: Alberteen’s sparkling analogue voyage of discovery ‘Lowenva’ is a refreshing beacon of light.

  • February 15, 2021
  • Arun Kendall
In ‘Lowenva’, Alberteen have created a mesmerising, organic album that crinkles with visceral instruments – melodic crunchy bass, pounding percussion, rumbling guitars, riffing horns and deep laconic cool vocals. It…
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Album review: MOAT’s new album Poison Stream is a glorious collection of hybrid indie/folk vignettes that shimmer and shine.

  • February 12, 2021
  • Arun Kendall
 MOAT is a fascinating collaboration between Marty Willson-Piper, founding and former member of iconic Australian band The Church and member of goth band All About Eve, and composer and multi-instrumentalist Niko Röhlcke…
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ALBUM REVIEW: Pale Waves – Who Am I?

  • February 12, 2021
  • Staff Writers
It is a truth universally acknowledged that a band in possession of good reviews for their first album must find the second difficult. Debuts are, after all, borne out of…
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ALBUM REVIEW: The WITCH – ‘Introduction’: cracking Zambian garage nugget unearthed

  • February 12, 2021
  • Chris Sawle
You thought every stone had been overturned in the quest for any last garage-punk nuggets of note? You'd be wrong. Get your white drainpipes and chelsea boots on for this cracking Zambian garage album from the early Seventies
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Album Review: American Darlings – ‘Afterglow’: sophisticated and psych-infused

  • February 10, 2021
  • James Shipsides
OUT NOW digitally on Spotify and Bandcamp is the album, Afterglow from the American psychedelically-infused alt.rock band, American Darlings. Afterglow starts with “You’re Not Alone”, initially a warm, acoustic guitar…
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ALBUM REVIEW: Dale Berning – ‘Horse Stories’: spacious, minimal and delightful art soundtrack

  • February 10, 2021
  • Chris Sawle
Dale Berning's The Horse Stories is humble, in the very best way; it delights in the tiny and the everyday with a surreal wonder. It has eagle-eyed focus; it's absolutely beautiful. It's often as close as music can get to absolute quietude while still retaining a sense of melody and spatial wizardry. If you loved the Clicks + Cuts series of compilations, Ryoji Ikeda, Colleen or Jan Jelinek; The Boats, Alva.Noto, any of these artists who travel deep into the magical, miniaturised web of pure sound, then this record is so, so top of your shopping list. Bravo, Flau, for making it available again.
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ALBUM REVIEW: Bill Stone – ‘Stone’: Maine psych-folk nugget sifted and reissued

  • February 8, 2021
  • Chris Sawle
Drag City dig deep, strike fortune: Bill Stone's album rings down the decades and it's really sweet. Sure it's a little rough 'round the edges, but that's absolutely part of the charm; you can hear these songs live and breathe, the actual moment of their realisation. Real and delightful
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