album reviews
EP review: Shida Shahabi – ‘Alvaret (Original Soundtrack)’: Stockholm composer soundtracks a short film of domestic tragedy with drone warmth and acuity
WE LAST encountered that Stockholm-based talent Shida Shahabi in these pages just over a year ago, when she released the soundtrack EP for Jennifer Rainsford’s subtle sci-fi short Lake On Fire; and rather a lovely thing it proved, seeing Shida step away from the piano with which she recorded her 130701 debut Shifts in favour …
EP review: Deca – ‘Source Material’: mining the library crates for instrumental breakz
LIBRARY music. It’s the crate-diggers’ crate-dig, the study of the deep connoisseur; that (formerly) unloved, workaday, copyright-free realm of production music, originally only of use and interest to the makers of TV programmes – and a useful session payday to everyone from electronic originators such as Delia Derbyshire and Ron Geesin to Pentangle guitarist John …
Album review: David Christian & The Pinecone Orchestra – ‘For Those We Met On The Way’: Comet Gain man sends a folk-rock postcard, looking back with sadness but without anger
THIS record begins not in the virus, lockdown, careers suddenly and virally iced, like the back story of so many records of recent times. Which in itself, may be a relief of sorts. No: this record begins with that other cultural tragedy of our isles and times. B. B. Can I even say it? Brexit. …
Album review: Tom Dissevelt – ‘Fantasy In Orbit’: seminal Dutch space-age electronica gets a deserved reissue
WELCOME. Now, before we fasten your belts – they’ll keep you safe against the enormous Gs as we break the atmosphere, gain the vast promised land of outer space – it’s as well as we run through a final checklist to ensure a safe and enjoyable journey. So. Question. When names like Broadcast, Stereolab, Vanishing …
Album review: Devin Hoff – ‘Voices From The Empty Moor (Songs of Anne Briggs)’: the canon of the Notts folk free spirit judiciously reinvented
BASSIST Devin Hoff may well be one of those names little known to you, but whose invaluable contributions to a record you’ve likely loved; as a four-string sharpshooter of absolute repute he’s contributed to not far shy of a hundred releases by the likes of Julia Holter, Nels Cline, Xiu Xiu, Cibo Matto, Sharon Van …
Album review: Poppy Ackroyd – ‘Pause’: solo piano pastoralism excellently captures a life lived this past year
WITH four albums proper, so to speak, under her belt – Escapement and Feathers from further back last decade, and a brace for what’s now One Little Independent in 2017, an acoustic mini-album, Sketches and the full-length Resolve – we really haven’t heard nearly enough from Poppy Ackroyd in recent times; but then what with …
Album review: Penelope Isles – ‘Which Way To Happy’: Jack and Lily line up a second set of ambitious, technicolour pop psych
PENELOPE ISLES, the gorgeous Brighton combo led by brother and sister Jack and Lily Wolter, are releasing their second album this week – that’s cause for joy as winter looms. surely. Until The Tide Comes In, their album from 2019 and first for Simon Raymonde’s excellent Bella Union imprint, was a slice of shoegazey guitar …
Album review: David Lance Callahan – ‘English Primitive I’: raw punk-raga and a septet of scorching tales
OVER two phases of potent reports from the real England, with an interregnum of two decades between, David Lance Callahan and The Wolfhounds have consistently filed detailed documentation from the real England – not the England of climbing roses and parental-secured internships and unearned increments, but the England I knew and grew up with: the …
Album review: Spiritczualic Enhancement Center – ‘Carpet Album’: filmic, psychedelic and enveloping – travel deep, travel wisely
IT’S ONE of those sentences you hear periodically when chewing the fat about the music: “Ooh no, though, I really don’t like jazz”. Which, each to their own, live and let live, vive la difference without question; but, which, you imagine may be based on some particularly untethered, free-associating inversion of the style, say, Coltrane’s …
Album review: Scrimshire – ‘Nothing Feels Like Everything’: expansive, opulent soul-jazz with a real beating heart
ALBERT’S FAVOURITES is a label bringing the sounds of the South London scene to the world with heart; genuine heart, and care, and soul, in all iterations of that word. One only need look at the label’s name, and the tribute it pays. I’ve written about this before but it is worth reprising, since it …