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Claude Cooper


Album review: Claude Cooper – ‘Myriad Sounds’: taut, essential Bristol jazz breaks and cinematic LSD groove

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So Claude Cooper is back with us. You should remember a couple of years ago this illusive, apparently Bristolian producer and Bedminster beatmaster delivered the essential ‘Myriad Sounds’ LP, a rugged funky jazz extravaganza that took the Rip Rig and Panic spirit to new levels of potency. The clues to the greatness were always there …

Ah yes, the mysterious Claude Cooper – one person or many, illusive or illusion, prankster or producer, rumoured from Bristol but maybe not…still one thing is for certain, last year the Claude Cooper nameplate fronted the extraordinary ‘Myriad Sounds’ album, a riotous explosion of wild jazz and breaks that rightly slayed the critics and fired …

CLAUDE COOPER: a jazz breaks legend in his own lifetime, should he even exist; for who CC is remains a complete mystery. Certainly to me. Certainly to you. One physical single, early last year, “Tangerine Dreams” / “Two Mile Hill”, the initial orange vinyl pressing of which is, lemme tells ya, already ker-ching and anyhow …

IMAGINE for a second we’re sat in a great pub, in Bristol – say The Christmas Steps, maybe, or the Bag O’Nails – and let’s further push the fanciful that I’m Brad Pitt-as-Tyler Durden (yep, I wholly over-flatter myself here, but a scribe can dream); and I lean over, conspiratorially, to whisper to you. And …

OK, OK. Two things. Firstly, do you like a little jazziness to your grooves? Nah, scrub that. Do you like a lot? Do you like a double bass line so up and atcha and tight and taut it could cut a man in half at 60 paces? That kinda thing. Do you miss Fingathing, more …