Electronica
Album review: Tomas Nordmark – ‘Exit Ghosts’: electronic landscapes that move from the amniotic to the apocalyptic
LIVING these days in London, but hailing originally from the small Swedish coastal town of Västervik, some 280km further down the coast from Stockholm, Tomas Nordmark is a electronica producer and soundscaper with a very complex and organic musical vision. His interest in the sonic avant-garde was brooked by the 1960s’ art scene in New …
Track: Glassmasterer – ‘Turn On The Big Machines’: an old-skool acid banger from the eclectic Glaswegian
GLASSMASTERER, the obscure musical reproduction process adopted as the operational codename for eclectic Glaswegian musician Lewis Bigham, has today dropped just a teensy bit of a banger, “Turn On The Big Machines”; you can dive into the accompanying visuals below. Lewis has previously wended his way through folk, hiphop, jazz and funk; all’s fish to …
See: Max Cooper and Samad Khan – ‘The Weakness Of The Flesh’: choreography and Indian classicism lead IDM maestro in new directions on his forthcoming EP
WITH his delicious Earth EP (read our review here) just passing its six-month anniversary, the time is more than ripe for another sonic missive from Max Cooper; and the excellent news is that today he’s announced the release of a new EP, Maps, which will be out on Mesh come midsummer. He’s also shared a …
Album review: UNKNOWN ME – ‘BISHINTAI’: a delightful, candy-coloured ambient trip
BISHINTAI is a delightful album, candy-colour bright, beamed from some offworld where fantastic cuboid furniture and hanging egg chairs are the norm; it will add a little brain-clearing wasabi to the most humdrum and dun day. If you’ve ever swooned for the Sushi 3003 and 4004 compilations; for Air at their most “Sexy Boy” cosmic and and most especially definitely, the bright retro-futurism of The Gentle People – then boy, is this album ever for you
Album review: Matt Robertson – ‘Enveleau’: analogue grandeur, ambience and acid
If old-skool British acid and ambient techno floats your boat, and let’s face it, it’s such a halcyon era for the genre, mostly never bettered; get yourself Enveleau. Maybe only the redoubtable Mr Hopkin is operating with this deliciousness in the field
Feature: Joshua Brandler – A Rise in Music Consciousness.
It’s inspiring to witness a rise in conscious music, and I don’t just mean the trend in improvised, free music, in the worlds of jazz, electronica and your almost traditional free improv format. I’m referring to a carefully crafted and consciously aware song form that literally focuses on highlighting community and raising our energies to …
News: Squarepusher’s thrilling, insane ‘Feed Me Weird Things’ gets a silver jubilee reissue; revel in the deep acid of ‘Theme From Ernest Borgnine’
NOW THIS … this is sexy news for the lover of the weird and the wired and the warped (and, serendipitously, the Warp). Squarepusher’s hyperactive, insane, thrilling debut album for Warp, Feed Me Weird Things, is to get a 25th (what now?) anniversary reissue on June 4th. Stand back, light the touchpaper. Not only will …
KMRU – ‘Argon’: marrying Berlin ambience with Kenyan gleam in a masterful shimmer
DIVIDING his time between that crucible of leftfield musical innovation, Berlin, and Nairobi, the capital of Kenya, Joseph Kamaru has been self-releasing seductive music for a number of years now; his particular groove a textural electronica with wide vision that weaves together the expansive and delicate electronic musics issuing from the former, and field recordings …
See: Seefeel release a digital EP, ‘Reduct’, ahead of their May reissues; see the video for ‘Burned’
WITH their comprehensive (and wholly exciting for those of us who fell for their exploratory, dubby charms the first time round) reissue campaign for Warp under way and those later era albums and compilations due in expanded and remastered pressings mid-May, Seefeel have just dropped a digital-only EP of tracks from the archive, Reduct. The …
News: Kevin Richard Martin of The Bug returns with a June rescoring of Tarkovsky’s ‘Solaris’; hear a taster, ‘In Love With A Ghost’
WORKING with huge acclaim in the shadowier textures of electronic music now for longer than we care to recall, Kevin Richard Martin – aka The Bug, King Midas Sound, Techno Animal – has composed a new score for Andrei Tarkovsky’s incredible 1972 sci-fi Solaris, which will be released on Phantom Limb on June 25th. Based …