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Posts by tag

experimental

514 posts
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Album Review: Carol Maia & Jeremy Gustin – ‘it’s nice to see a lake in your eyes’: an mpb moment to treasure from the Rio/Brooklyn partnership.

  • April 2, 2026
  • John Parry
Shaped by online exchanges between Rio and Brooklyn, ‘it’s nice to see a lake in your eyes’ by Carol Maia and Jeremy Gustin leaves no doubt about their shared sense…
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Album Review: New Age Doom & H.R.– ‘Angels Against Angels’: Metal experimentalists meet Bad Brains legend and shape one massive rock/dub prophesy.

  • March 20, 2026
  • John Parry
Experimental rock duo New Age Doom, drummer Eric Breitenbach and guitarist Greg Valou, thrive on collaboration and collectivism. Since the early drone metal improv of their debut, their approach has…
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Album Review: Los Sara Fontán – ‘Consuelo’: The experimental post-rock duo’s propulsive second manifesto.

  • February 22, 2026
  • John Parry
The secret of any underground music is that it stays hidden until found. Once discovered it opens windows onto a world of art making where things can just happen because…
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Album Review: Zone Null – ‘Phase 1’: Taking the bass to unknown places- epic, long form electronic improv from the Berlin-based duo.

  • January 30, 2026
  • John Parry
Pounding into January with the irrepressible Ruptured Records and a debut album, ‘Phase 1’ from a new collaborative project Zone Null, featuring bassist Tony Elieh and electronic composer/performer Burkhard Beins.…
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Album Review: Mi3RAJ – ‘Callings Of The Owed’: Powerful and poetic electronic fusion from Cairo’s rising underground scene.

  • January 24, 2026
  • John Parry
A new project from their long lasting musical connection, poet/vocalist Mohamed Tarek Moussa and producer/multi-instrumentalist Abdelrahman Shaat (aka Mi3raj) emerge with a new album, the intense ‘Callings Of The Owed’…
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Album Review: Julianna Barwick & Mary Lattimore – ‘Tragic Magic’: A compelling, emotional electro-acoustic collaboration which haunts and hopes.

  • January 17, 2026
  • John Parry
Some collaborations are just meant to be and this is one of those. Composer, vocalist and electronic musician Julianna Barwick and experimental harpist Mary Lattimore have been more than crossing…
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Album Review: Yalla Miku –‘2’: an energetic, ‘post-world’, sonic cocktail direct from the Bongo Joe community.

  • November 13, 2025
  • John Parry
If ever there was an imprint that was more than just another indie record label it’s Bongo Joe. A musicians’ collective, a community, a shop and watering hole, a barometer…
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Album Review: Jessica Moss – ‘Unfolding’: The Montreal violinist/composer’s most incisive, inspirational statement to date.

  • October 27, 2025
  • John Parry
Violinist and composer Jessica Moss has always made instrumental music that speaks out. Her essential work does more than reflect times, events and tragedies, it engages with them and voices…
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Album Review: Joe Harvey-Whyte & Paul Cousins – ‘In A Fugue State’: A contemplative dreamscape of pedal steel and tape loop alchemy.

  • October 20, 2025
  • John Parry
Joe Harvey-Whyte may be a go-to pedal steel player (Liam Gallagher, Billy Bragg, Josephine Foster, Nilüfer Yanya and more) but as a multi-instrumentalist and solo artist he’s been calmly extending…
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Album Review: Yara Asmar – ‘everyone I love is sleeping and i love them so so much’ : Extraordinary electro-acoustic stories crafted from simple things.

  • October 11, 2025
  • John Parry
Tinkering, testing, tuning and transforming, Yara Asmar is a restlessly inquisitive multi-instrumentalist. Since her debut release on Hive Mind, ‘Home Recordings 2018-2021’ the Beirut- based musician has used music boxes…
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    Live Gallery: TISM are back, and the Enmore Theatre will never be the same 30.10.2026
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