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Liam Mour


AN ANALOGUE synth figure comes chattering in; it morphs and builds and flexes with echoey overtones. It’s joined by a haunting melodic figure, swathed in distance and haunting half-remembrance. The track breaks down into anthemic synth washes, and then a sweetly old-skool rhythm programme kicks in and knits it all together.  Yum. So goes “Ode …