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Mort Garson


SIXTIES’ and Seventies’ electronica is a weird and eccentric world, seemingly populated by mad genii and creative mavericks with clipboards and lab coats, observing banks of machinery at sonic play. Actually that conception isn’t too far from the truth: Raymond Scott and his Manhattan Research, Inc. while using the new musical technology to place interlude …

YOU’VE never really heard Mort Garson, you say; heard the name, never quite caught up with any of his stuff; anyway, it’s rock hard to get hold of, isn’t it? Yeah, of course I’m into Stereolab, Broadcast, Plone; Belbury Poly, Add N To (X), you say. If it’s weird and Moogy and kinda space age …

MORT GARSON is a name that’s intoned with due gravity by those who know. Hailing from Canada with an interest of the sounds of early circuitry-based music and a penchant for conceptual albums – concerning witchcraft, the zodiac, even music to help plants grow: to the sort of people you find in the kitchen bathtub …

THE WORLD of 60s’ and early 70s’ electronica was full of fascinating, creative mavericks: scientists, polymaths, creatives, all deeply fascinated by the weird things that were happening with the pure and random sound of circuitry. Foremost among them was the Canadian Mort Garson, who began his career with the fantastic space age astrological trippiness of …