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News: Philippa Nihill (Underground Lovers/GB3) and Lisa Gibbs (GB3/ USER) are The Same Same, exploring interpretations of Brian Eno in debut EP ‘Before And After Eno’ – have a listen to the first track off the EP ‘By This River’.
The Same Same consist of two giants in the indie music scene in Australia: multi instrumentalists Philippa Nihill from the Underground Lovers/GB3 and Lisa Gibbs from USER/GB3, and their weapons of choice are keys, synths and vocals wielded with haunting finesse and subtlety. The Same Same have just announced the release of an album of …
Track: Little Guilt are going ‘Nowhere’ – a dreamy destination drenched in sunshine and regret. EP and launch dates also announced.
Western Australia continues to punch above its weight with Little Guilt‘s new track ‘Nowhere’. This is the aural equivalent of a sunny canoe ride floating gently down a dappling river. It bobs and floats and gently rocks with a dream pop fugue, a hypnotic journey that moves effortlessly with a melancholic sheen. The subject matter …
Track: The legendary The Church return with new single, title track to forthcoming album ’The Hypnogogue’, ahead of Australian tour.
It’s been a while since The Church graced us with their ethereal presence, although main man Steve Kilbey has not been resting on his laurels by any means, having released a swathe of stunning material on his own and through collaborations with Martin Kennedy (All India Radio) and Glenn Bennie (Underground Lovers) over the last …
Track: Mess Esque unveil new track ‘Armour Your Armor’ as they bring their frail and beautiful sound to the world on tour.
Last year’s magnificent self-titled album from Mess Esque was for me one of the stand out releases of the year, and recognition of the duo’s stature and the album’s imperial majesty resulted in them embarking on a world-wide adventure in the US and, currently in Europe, supporting Kurt Vile. In the midst of this, the …
Track: Salarymen ease gently back into our pop dreams with ‘Young Guns’ – a dark view of society leavened by an indelible sparkling delivery. Plus album and tour news.
We are pleased to see the return of the vintage-tinged dream pop shimmer of Sydney duo Salarymen with their deceptively sunshine filled single ‘Young Guns’. The single is a first taste of their sophomore EP due out October 20, and comes as the duo announce international shows in Japan for November 2022. The dual vocals …
Premiere: Melbourne’s INSTYNKT take us on a rocking, anthemic ‘Ride’ and announce single launch date.
We are pleased to premiere the video for the track ‘Ride’ from Melbourne band INSTYNKT. ‘Ride’ is a powerful guitar-driven track that resonates with a pop sensibility while setting a blistering pace. At heart is the kind of pure rock’n’roll filled with blood sweat and tears that used to form the mainstay of Australian pub …
Track: Full Power Happy Hour’s ‘Measurements’ takes a walk on the wild west side ahead of new album and tour.
Brisbane’s effervescent Full Power Happy Hour have stored their Doc Martens in a shoebox, pulled on a pair of cowboy boots matched with a checked shirt and boot-scooted their way into our ears with the country-tinged twang of ‘Measurements’, their new single. And, for me, it’s the good sort of countrified swing epitomised by the …
Track: FLOWERTRUCK are ‘Hopeless’ in happiness: a bright and sparkly ditty that skips with an irrepressible joy. They also become the first Australian band to offer a digital pressing ahead of album release.
On the eve of the release of their new album ‘Partly Cloudy’, out via Spunk! Records / Virgin Music Australia on 2 September 2022, the irrepressible FLOWERTUCK have dropped one more tasty morsel for our delectation in the single ‘Hopeless’. The laid back, dappled sunshine sound of ‘Hopeless’ sparkles with an edgy nervy pace – this is the sound …
Track: Eighties powerhouse Noiseworks return after 30 years with the anthemic and dynamic single ‘Heart And Soul’, and all is well with the world. A tour and album will follow.
Noiseworks are a cultural pop rock Australian phenomena and emblematic of a particular home-grown and enigmatic stadium rock in the eighties – even us indie kids respected the fact that Noisework produced the most magnificent power rock anthems of the era, with an indelible ear for melody and a thunderous guitar attack and dynamism that …