Posts in tag

post classical


ALBUM REVIEW: Olivier Alary and Johannes Malfatti – ‘u,i’: beautifully humanist post-classicism, listening to the world talk to itself

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Track: A.A. Williams – All I Asked For (Was To End It All) plus debut album news

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So the presser says “FYEAR interrogates our present and future post-capitalist polycrisis“. Any creative project aiming to probe into that vortex would require scale, focus, finesse and integrity, which are exactly the qualities that this Montreal convened collective possess. Led by composer/ saxophonist Jason Sharp and poet/novelist Kaie Kellough, FYEAR have been sculpting their resonant …

The sound of music or the music of sound? Australian composer and producer Madeleine Cocolas has always been an artist who finds no need to differentiate in her inspired post-classical/ambient work. Her 2018 album ‘Metropolitan’ wove the sonic pulse of software as it analysed artworks from the New York Met into a musical homage to …

Sometimes an album just sneaks up on you. Tokyo musician Yasuhiko Fukuzono maybe prolific as a producer, sound artist and curator of the renowned electronic music label FLAU but his solo releases in the guise of aus are rare. Sure there was the pan-global richness of the ‘Until Then’ twelve inch in February this year …

What will we think of lock down records when we listen back to them in years to come? Introspective music from a time of looking inwards because the outside world just stood still? Or maybe there was more space to dream, to take more risks, to break free from constraints because everything ahead was unknown. …

Montreal based violinist and composer Jessica Moss is a musician of significance, fundamental to so much and a touchstone for creative dedication. A member of the seminal post punk ensemble Thee Silver Mt. Zion for fifteen years and contributor to recordings by the likes of Vic Chesnutt, Big/Brave and Sarah Davachi, she shifted focus to …

ÓLAFUR ARNALDS is preparing for his new album, some kind of peace, to hit turntables across the world on November 6th; and he’s followed the beautiful noir of previous single-track teasers “Back To The Sky” and “We Contain Multitudes” with another stunning audiovisual drop in “Woven Song”; let yourself be dazzled down at the end. …

ISDN, fibre-optics, the web. Sharing platforms, Skype, Facebook, Zoom; instantaneous transmission, the world shrunk to a pebble’s dimension. Our modern world, and especially the broader swathe of this fractured year 2020 would be unimaginable without it. And the latest offering from FatCat’s ever-intriguing leftfield imprint, 130701, a collaboration between Montreal-based Toulousain Olivier Alary and Berlin’s …

JULIE CARPENTER, who records for Texas’ home of boundary-pushing out-rock and drone beauty Kranky, has journeyed from musical academia at the University of North Texas, through session work as a violinist for bands such as Eels, to finding her own musical self as Less Bells. She released a graceful and beautiful set, Solifuge, for the …

IF YOU like your music to come with an architecture of gorgeously constructed post-classicism, an experimental and conceptual edge, yet still have enough presence in the world of contemporary pop that you can at least make the shapes of humming along to it, then Ólafur Arnalds is absolutely your man. The Icelandic composer, who found …

MONTREAL-based, Toulousain composer Olivier Alary and his Berlin-based compatriot Johannes Malfatti have been friends for many years – that kind of relationship so much easier to conduct in our modern fibre-optic world. With an album apiece under their belts: Johannes’ Surge for Glacial Movements, and Olivier’s 2016 debut for FatCat’s 130701 imprint, Fiction/Non-Fiction, it became …