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Backseat Mafia
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Chris Sawle

1701 posts
Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.
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Track: GoGo Penguin – ‘Totem’ (James Holden remix): expansive, swirling and hypnotic rerub paves the way for what’s sure to be the remixes album of the year

  • April 13, 2021
  • Chris Sawle
WITH their deliciously tempting new remix album GGP/RMX out in a month’s time, GoGo Penguin are just keeping them comin’; following the deeply energised MachineDrum retake on “Atomised” and Squarepusher’s…
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See: Moonshine – ‘Ginseng (Zaire Space Program: Act I)’: utopian Afrofunk where Congo meets Canada

  • April 13, 2021
  • Chris Sawle
LINKING together the musics, the aesthetics and traditions of Paris, Portugal and the the Democratic Republic of the Congo, Pan-African collective Moonshine have dropped a brace of singles – “Malembe”…
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Premiere: Lowpines – ‘Weight Of The Water’: tumbling in the waves of some lusciously bright, transatlantic Americana

  • April 12, 2021
  • Chris Sawle
LOWPINES come to us with Americana brightness and glimmer from Brooklyn – by way of the Lake District, of all the seemingly unlikely locations. And today at Backseat Mafia we’re…
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Album review: Cory Hanson – ‘Pale Horse Rider’: a psych-country triumph from Wand frontman

  • April 12, 2021
  • Chris Sawle
You might expect Pale Horse Rider to be a really good record; it's actually a great one. It's a record about LA written with all the perception and acuity of native. It takes the country-psych template and when it plays within it, it plays with grace and precision and blur; and when it shifts out beyond, it does with the dynamics of British exploratory rock. All points covered, no filler; perhaps its time to crown Cory the new Wolf King of LA. Buy.
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See: Holy Hive – ‘I Don’t Envy Yesterdays’; a cool summer breeze of a folk-soul number, new on Big Crown

  • April 12, 2021
  • Chris Sawle
FOLLOWING the retro-indie-soul loveliness of last year’s album for Big Crown, Float Back To You, Paul Spring is showing that breakout classic, seeming to draw on influences as disparate and…
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Track: Masayoshi Fujita – ‘Bird Ambience’: the deft, spacious wonder of the marimba glimmers with delight

  • April 11, 2021
  • Chris Sawle
THE WONDERFUL Japanese vibraphonist, multi-percussionist and composer Masayoshi Fujita is all set to release a new album for Erased Tapes on May 28th which, if you like your experimental music powerfully…
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See: The layered monochrome stylings of MICROCORPS’ ‘UVU’: a dark electronic language for a dark age

  • April 11, 2021
  • Chris Sawle
MICROCORPS, the new project of Alex Tucker, lurches us forward into a near-future dystopia part-flesh, part-microprocessor, and achieves eerie beauty; as you can hear below with the second track to…
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Track: Tomas Nordmark feat. Waterbaby – ‘Ghosts’: eerie, amniotic, ink-black choral electronica preludes his May album

  • April 11, 2021
  • Chris Sawle
LIVING these days in London, but hailing originally from the small Swedish coastal town of Västervik, some 280km further down the coast from Stockholm, Tomas Nordmark is a electronica producer…
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See: Neil Cowley – ‘I Choose The Mountain’: solo compositional delicacy with love to Wim Wenders

  • April 11, 2021
  • Chris Sawle
BRITISH pianist Neil Cowley, who released a septet of albums sitting astride the point where jazz begins to shade into modern composition and ‘tronica over a period of ten years…
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News: Matador to give a quarter-century repress to Bardo Pond’s classic ‘Amanita’; hear the previously unreleased ‘Shadow Puppet’

  • April 10, 2021
  • Chris Sawle
AS PART of its continuing sifting of absolute gems already in the catalogue, Matador has announced its marking the quarter-century of Bardo Pond’s none-more-hallucinogenic debut for the label (and the…
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