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John Parry

570 posts
Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/
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Album Review: Inwards –‘Free Flow’: Fizzing mod-synth and sampler refreshment straight from the Worcestershire wilds.

  • November 28, 2025
  • John Parry
Electronic music can often seem fixed on darkness and dystopia, cavernous scale and vastness but Kristian Shelley’s electro-fusion projects as Inwards have always focused on the small things. Inpired by…
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Album Review: Fabiano do Nascimento – ‘Cavejaz’: a stunning collection of guitar and percussion miniatures.

  • November 22, 2025
  • John Parry
It may be a decade into the consistent series of impactful releases from composer/guitarist Fabiano do Nascimento but here is a musician who continues to build on his reputation as…
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Album Review: Levitation Orchestra – ‘Sanctuary’: Another expansive, spiritual jazz epic from the London collective.

  • November 15, 2025
  • John Parry
UK jazz collective Levitation Orchestra show that the creative possibilities of the large ensemble can endure. Lead by trumpeter Axel Kaner-Lidstrom who first brought this group of young, scene-busting players…
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Album Review: Yalla Miku –‘2’: an energetic, ‘post-world’, sonic cocktail direct from the Bongo Joe community.

  • November 13, 2025
  • John Parry
If ever there was an imprint that was more than just another indie record label it’s Bongo Joe. A musicians’ collective, a community, a shop and watering hole, a barometer…
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Album Review: Sessa –‘Pequena Vertigem de Amor’: Uncanny magic and lush funkiness from the rising São Paulo songsmith.

  • November 8, 2025
  • John Parry
Sergio Sayeg (aka Sessa) is an artist who travels through distances and circumstances with his music. Coming from São Paulo his first pull was towards the psychedelic pop-toned Tropicalia mash-up…
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Album Review: The Boojums –‘The Boojums’: From garage punk to grunge rock, the Nova Scotian trio never miss the spot.

  • November 5, 2025
  • John Parry
It seems to have been a while waiting for this debut LP from Nova Scotian power-punk trio The Boojums. Last seen around here on their breakneck showcase gigs with We…
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Album Review: Emma Rawicz –‘Inkyra’: Bold, widescreen, dynamic jazz from the irrepressible saxophonist and her explosive band.

  • November 1, 2025
  • John Parry
You could say prestigious young saxophonist Emma Rawicz is on a roll right now. Just a few months ago she was turning jazz-heads with her exquisite and sumptuous ‘Big Visit’,…
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Album Review: Jessica Moss – ‘Unfolding’: The Montreal violinist/composer’s most incisive, inspirational statement to date.

  • October 27, 2025
  • John Parry
Violinist and composer Jessica Moss has always made instrumental music that speaks out. Her essential work does more than reflect times, events and tragedies, it engages with them and voices…
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Album Review: Smote –‘Songs From The Free House’: A striking return for the drone rock/ dark folk adventurer.

  • October 23, 2025
  • John Parry
Daniel Foggin, landscape gardener, guitarist, psych folk expressionist and drone rock interpreter works relentlessly. His creative portal Smote is now five albums into its journey with the venerable Rocket Recordings,…
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Album Review: Joe Harvey-Whyte & Paul Cousins – ‘In A Fugue State’: A contemplative dreamscape of pedal steel and tape loop alchemy.

  • October 20, 2025
  • John Parry
Joe Harvey-Whyte may be a go-to pedal steel player (Liam Gallagher, Billy Bragg, Josephine Foster, Nilüfer Yanya and more) but as a multi-instrumentalist and solo artist he’s been calmly extending…
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