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John Parry

563 posts
Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/
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Album Review: Jesse Hackett – ‘Nocturnes’ : An electro-acoustic tapestry with heart-felt depth.

  • March 6, 2026
  • John Parry
Keyboardist, producer, songwriter, vocalist and sonic explorer, Jesse Hackett is a name you think you’ve seen on some record sleeve before and most likely have. An illusive but prolific genre…
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Album Review: Mammal Hands- ‘Circadia’: The inventive UK nu-jazz trio absorb change and still deliver.

  • March 2, 2026
  • John Parry
Things have shifted recently for those stalwarts of the UK nu-jazz scene Mammal Hands. Since their debut album ‘Animalia’ turned heads in 2014 ,the Norwich based trio, brothers Nick and…
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Album Review: Isabel Pine – ‘Fables’: An absorbing sonic journey at one with the wilderness.

  • February 26, 2026
  • John Parry
The quality and concentration of ambient/classical leaning releases these days means that musicians need to create something with a little extra substance to make more than just a ripple. Well…
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Album Review: Los Sara Fontán – ‘Consuelo’: The experimental post-rock duo’s propulsive second manifesto.

  • February 22, 2026
  • John Parry
The secret of any underground music is that it stays hidden until found. Once discovered it opens windows onto a world of art making where things can just happen because…
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Album Review: Aaron Shaw – ‘And So It Is’: Tingling with raw beauty, an inspiring spiritual jazz statement.

  • February 16, 2026
  • John Parry
This has to be said upfront, even before you get deep into the music this album is inspirational. Saxophonist/ flautist Aaron Shaw, one of the names to be named on…
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Album Review: Bellbird – ‘The Call’: From free jazz to post rock, a quartet that find their own trajectory.

  • February 10, 2026
  • John Parry
Constellation Records have long provided a portal for the extraordinary experimental music which orbits around their Montreal home base, but here we have them opening the apertures and focusing in…
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Album Review: Christo Graham – ‘Good Covers’: An authentic singer-songwriter gem that shouldn’t get forgotten.

  • February 6, 2026
  • John Parry
Besides being an actor and graphic designer Christo Graham is one of those heart and soul singer/songwriters. You can’t imagine a day when there’s not a tune or lyrical snippet…
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Album Review: Zone Null – ‘Phase 1’: Taking the bass to unknown places- epic, long form electronic improv from the Berlin-based duo.

  • January 30, 2026
  • John Parry
Pounding into January with the irrepressible Ruptured Records and a debut album, ‘Phase 1’ from a new collaborative project Zone Null, featuring bassist Tony Elieh and electronic composer/performer Burkhard Beins.…
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Album Review: Mi3RAJ – ‘Callings Of The Owed’: Powerful and poetic electronic fusion from Cairo’s rising underground scene.

  • January 24, 2026
  • John Parry
A new project from their long lasting musical connection, poet/vocalist Mohamed Tarek Moussa and producer/multi-instrumentalist Abdelrahman Shaat (aka Mi3raj) emerge with a new album, the intense ‘Callings Of The Owed’…
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Album Review: Julianna Barwick & Mary Lattimore – ‘Tragic Magic’: A compelling, emotional electro-acoustic collaboration which haunts and hopes.

  • January 17, 2026
  • John Parry
Some collaborations are just meant to be and this is one of those. Composer, vocalist and electronic musician Julianna Barwick and experimental harpist Mary Lattimore have been more than crossing…
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