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John Parry

563 posts
Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/
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Album Review: Modern Woman – ‘Johnny’s Dreamworld’: A fully fledged, opening statement from the London art-rock dynamos.

  • May 4, 2026
  • John Parry
As ‘Johnny’s Dreamworld’, the debut album by London art-rockers Modern Woman, goes to show, the slow evolution of an idea often brings the finest results. The fourpiece first cut through…
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Album Review: Anenon – ‘Dream Temperature’: Enthralling, dream-state miniatures from the singular LA composer/instrumentalist.

  • May 1, 2026
  • John Parry
‘Dream Temperature’, the second release on Tonal Union by saxophonist and composer Brian Allen Simon (aka Anenon), is an album of departures and returns. While 2016’s ‘Petrol’ captured the energy…
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Album Review: Naná Rizinni – ‘Epiblast’: An energetic, feisty electro-jazz fusion set from the Brazilian drummer/composer.

  • April 28, 2026
  • John Parry
A go-to session drummer, vocalist and songwriter within the São Paulo scene, Naná Rizinni looks set to drive home her credentials with her new album ‘Epiblast’, released via Bridge the…
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Album Review: Charbel Haber – ‘May a soft sun bless your sky while you wait for the inevitable’: A serene ambient soundtrack of beauty and bewilderment.

  • April 24, 2026
  • John Parry
From its very first notes this is an album which treads the finest line between peaceful serenity and poignant fragility. That’s a balance that only a musician of Charbel Haber’s…
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Album Review: The Melvins with Napalm Death – ‘Savage Imperial Death March’: A mind-shredding collaboration from two peerless noise rock pioneers.

  • April 10, 2026
  • John Parry
The mutual admiration between these two noise/grind totems has never been disguised. The bands have toured together, their joint 2015 and 2025 expeditions coining the title for this album, and…
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Album Review: Carol Maia & Jeremy Gustin – ‘it’s nice to see a lake in your eyes’: an mpb moment to treasure from the Rio/Brooklyn partnership.

  • April 2, 2026
  • John Parry
Shaped by online exchanges between Rio and Brooklyn, ‘it’s nice to see a lake in your eyes’ by Carol Maia and Jeremy Gustin leaves no doubt about their shared sense…
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Album Review : Benjamin Herman – ‘The Tokyo Sessions’ : A high energy trip to Japan with the Dutch jazz legend and his dynamic band.

  • March 29, 2026
  • John Parry
Much celebrated Dutch alto-saxophonist, Benjamin Herman, sounds like the right kind of music obsessive. Not the drill-down, detail driven, relentless refiner of his craft but a musician who restlessly seeks…
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Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.

  • March 25, 2026
  • John Parry
It’s sobering to think that Mark Nelson aka Pan•American has been diligently considering and creating musical radiance for over twenty-five years now. Guitarist, vocalist and founder member of post-rock, ambient…
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Album Review: New Age Doom & H.R.– ‘Angels Against Angels’: Metal experimentalists meet Bad Brains legend and shape one massive rock/dub prophesy.

  • March 20, 2026
  • John Parry
Experimental rock duo New Age Doom, drummer Eric Breitenbach and guitarist Greg Valou, thrive on collaboration and collectivism. Since the early drone metal improv of their debut, their approach has…
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Album Review : Huw Marc Bennett – ‘Heol Las’: re-imagining bygone songs through a unique folktronica gaze.

  • March 19, 2026
  • John Parry
Over the last few years producer and multi-instrumentalist Huw Marc Bennett’s solo releases has traced his deepening fascination in the music of his home-land, Wales. In 2020 the ‘Tresilian Bay’…
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