Album Reviews Archives - Page 155 of 337

Album Review: Kieran Mahon – Eternal Return

The latest from St. Leonard’s prime manipulator of drones, loops, and echoes uses adeptly generated, cyclical synth-komische to delve into Mahon’s newly realised perspective upon the notion of ‘Eternal Return’…

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Album Review: Tommy Guerrero – ‘Sunshine Radio’

Tommy Guerrero’s ‘Sunshine Radio’ is the latest release in his pretty consistent turnover of albums, with the skateboarding legend turned musician averaging at least an LP every three years since…

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Droppin’ Knowledge: Jay Cinema & WilfMerson Know “What You Need Ain’t What You Want!” – Album Review & Interview

A trans-Atlantic collaboration between the Harlem-based rapper and London producer WilfMerson yields an album of depth and beauty. The Internet and the portability of sound files can open up the…

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ALBUM REVIEW: Bolomite Jr. – ‘Cold Feet’: classical meets experimental in tectonic layering

BEN CALHOUN has been quietly working away for a while now, leading a double life as a construction worker-cum-experimental musician having begun using Digital Audio Workstations as a creative tool way…

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ALBUM REVIEW: Aaron Cupples – ‘Island Of The Hungry Ghosts’ original soundtrack: a sonic film in itself

There's always that caveat with a soundtrack that this is music in service to another artform. But Island Of The Hungry Ghosts is a sonic film in itself. It wholly lets the soul of the island through and onto your record deck. If you're a fan of labels like Touch, Kranky, this is so a record for you.

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ALBUM REVIEW: Richard von der Schulenberg – ‘Moods And Dances’: a fun, exotique library music trip

Moods And Dances is the sort of album you cheekily slip onto the deck at a very groovy soiree at about, ooh, midnight, to bring some bizarre and spacey dimensions to proceedings and during which at least two of your friends turn to you and say with a bewildered grin: "Wow, what is this?"

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Album Review: Anna B Savage – ‘A Common Turn’

If, for Anna B Savage fans, it has felt like a long wait for this, her debut album, that’s because it has been. The question is, has it been worth…

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ALBUM REVIEW: Disco Zombies – ‘South London Stinks’: a punk story retold by Optic Nerve

Loud, fast and forgotten: DIY punk nuggets are unearthed in this vinyl compilation spanning The Disco Zombies’ career

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ALBUM REVIEW: Tamar Aphek – ‘All Bets Are Off’: superb opening salvo from Tel Aviv power trio

Tamar Aphek takes the power trio thing and moves it forward into new psych-blues-rock territories with elegance and so much fire. She also might just be the best new noisy guitar stylist since Joey Santiago and John Dwyer. She's potent and has a voice of real elegance, and sonic firepower, and tunes, and the future is very, very bloody bright indeed

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EP REVIEW: Clarice Jensen – ‘Anu Mosir’: a quarter-hour of deft cello and electronics

Anu Mosir is a gorgeous way to spend a quarter of an hour of your time. Put it on repeat, let it maybe move beyond a rudely fractional usage of your day

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