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Album Reviews

3428 posts
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EP Review: Michael CG – The Most Highly Acclaimed Horror Phantasy Of Our Time

  • December 4, 2020
  • Craig Young
Teessides Michael CG is ending the year with the release of his lengthy titled EP – ‘The Most Highly Acclaimed Horror Phantasy Of Our Time’. Previously released track, ‘When I…
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EP Review: Oldblood – Arms To The Sky

  • December 3, 2020
  • Craig Young
Formed in north London in 2018, Oldblood merge elements of doom, punk, post-metal and black metal into one cohesive, blackened monstrosity. As shown by their debut 4-track EP ‘Arms to the Sky’. Themed around…
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ALBUM REVIEW: Small Forward – ‘Small Forward’

  • December 3, 2020
  • Staff Writers
Great easy listening on debut LP by LA trio
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EP REVIEW: Quiet Marauder – ‘Tiny Men Parts’: a critique of the male condition in bounce-along indiepop

  • December 2, 2020
  • Chris Sawle
Tiny Men Parts nails masculine creepiness and ineptitude with insouciance and tons of guitar pop like they used to make
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ALBUM REVIEW: Dark Sparkler – ‘Are You With Me Or Against Me?’: fine modular retrotronica

  • December 2, 2020
  • Chris Sawle
If you're a fan of a real exploration of retro synthesisers and the beauty they bring, like soundscapes with atmosphere and depth that stay edgy and have bags of ambience without, y'know, being ambient per se, Are You With Me Or Are You Against Me? could be just the album for you
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Album Review: Deafheaven – 10 Years Gone

  • December 2, 2020
  • Greg Hyde
Blackgaze stalwarts revisit their recent past.
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EP REVIEW: Laura Groves – ‘A Private Road’: pristine and dreamy debut; socially distanced gig announced

  • December 2, 2020
  • Chris Sawle
A Private Road is a dreamscape, swirling elements of modern electronica, shoegaze, soul and folk into a set on which you really get a sense of Laura while she also remains wraithlike, a blur of whisper and talent at the core
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ALBUM REVIEW: Miley Cyrus – ‘Plastic Hearts’

  • December 2, 2020
  • Staff Writers
Plastic Hearts took me on a rollercoaster ride that really caught me off-guard, says Chloe Ross
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EP REVIEW: Sophie Jamieson – ‘Release’: a brilliant, introspective four tracker

  • December 1, 2020
  • Chris Sawle
Her voice and songwriting are so very strong; there's no doubt Release is her best yet
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Album Review: Tori Handsley – ‘As We Stand’

  • December 1, 2020
  • John Parry
FOREVER associated with folklore whimsy, celestial mystery and the delicate songstress, maybe the harp will always have an image problem? Of course in jazz there have inevitably been those who…
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