Album Review: Pallbearer – ‘Forgotten Days’
Pallbearer are back with their fourth offering of doom metal and a band going almost full circle. This new album is connected to their first long play album ‘Sorrow and…
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Album Reviews
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ALBUM REVIEW: Magik Markers – ‘2020’: New England noiseniks’ filthy return
New England noiseniks' full-length return after a six-year absence is filthy, trippy and even, at points, damn pretty. Righteous and cathartic, be glad they're back
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EP Review: Fuzz Lightyear share new EP Fuzz II
Photo credit Sam Joyce South London based trio Fuzz Lightyear are set to release their debut EP ‘Fuzz II’ on 23rd October. Influenced by shoegaze, lo-fi and psych the band…
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ALBUM REVIEW: SHHE – ‘Re:’: remixers take her debut for a delightful spin deeper
Re: confirms SHHE as a great Scottish talent whose musics lend to steaming and bending into pretty new shapes. There’s a couple of artists working out in the sound forges where she is; but there’s a lot of room for music this good.
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EP Review: Flight to Dubai – Strife
It seems to me that Sydney’s Flight To Dubai walk that fine line between utter genius and compete madness. There is a hint of approaching chaos – an apprehension that…
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Album Review: Underground Lovers release surprise remix collection ‘Shadows’
Spanning their entire thirty career, the new collection of remixes from the legendary Underground Lovers is utterly sublime. It goes without saying that the flesh of a remix is only…
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Album Review: Between The Buried And Me – Alaska (Reissue)
Celebrating their 20th year has seen a wave of vinyl reissues of Between The Buried And Me, with the latest selected for a spruce up being 2005’s Alaska, the North…
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Album Review: Various Artists – Hot Sauce Volume 1
Subtitled as ‘14 gems from the vaults of Amalgamated, Black Swan, Blue Cat, Doctor Bird, High Note, Trojan and many more’, the new release from Harlem Shuffle Records has pulled…
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ALBUM REVIEW: Snowdrops – ‘Volutes’: chamber duo expand the post-classical palette with true beauty
Snowdrops have taken the post-classical palette to another place again with their use of two of the more overlooked pioneering electronic instruments, and produced a work that at its least, is intensely transporting; and in its two twin peaks, “Comma (variation 1)” and “Ultraviolet”, close to too beautiful, heartbreakingly so.
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ALBUM REVIEW: Daniel O’Sullivan – ‘Electric Māyā: Dream Flotsam and Astral Hinterlands’: transporting and dazzling shortform art
Electric Māyā is a collection of short stories; of microfiction. Take your time and don’t breeze through; you’ll be peering through windows into 18 other little spheres. Dazzling shortform
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