Album Reviews
Album Review: The Menzingers – After The Party
Returning with their anticipated latest album ‘After The Party’, The Menzingers take a look at the themes of life after your twenties. Presented through energetic riffs and catchy rhythms, there’s a lot on offer to keep you hooked as it all unfolds. Maintaining a high level of energy throughout, the album keeps a solid pace as it …
Say Psych: Album Review: Dead Gurus – ACID BENCH
Rating: 9/10 Dead Gurus are a Minneapolis based cosmic outfit proffering some of the finest psychedelic grooves to grace the airwaves in some time. With band members coming from a range of other projects including names such as Magic Castles, Dreamweapon, Wet Hair and Daughters of the Sun, they were never going to disappoint but …
Album Review: Thievery Corporation – The Temple of I & I
Rob Garza and Eric Hilton, aka electronic duo Theivery Corporation have released the fruits of their labour, recording in Jamaica for their latest full lengther and unsurprisingly given the setting, it’s their most dub-centric record to date. They’ve experimented with dub and roots in the past, not for a whole record admittedly, but as with …
Album Review: Dutch Uncles – Big Balloon
Dutch Uncles return with a triumphant fifth album, their fourth on the Memphis Industries label and first since 2015’s “O Shudder”. It’s remarkable that the Marple band (Duncan, Pete, Robin and Andy, formerly also Daniel) are still making their delightfully catchy and quirky brand of indie pop which has been labelled as “math pop”, “art …
Album Review: Grails – ‘Chalice Hymnal’
Grails, hail from Portland, Oregon. A seaport state nestled under Washington and characterised by its diverse landscape of forests, mountains, farms and beaches. That Pacific Northwest essence runs through the centre of the Grails sound. A sound that expounds on the spectral spaghetti Western side of their oeuvre, marked by tasteful excursions into passages of …
Album Review: Molly Burch – ‘Please Be Mine’
Captured Tracks is proud to unveil this ten track album of gorgeous, whimsical, heartfelt and romantic songs of ‘loss, loneliness and reconnecting’. For fans of the Angel Olson and Hope Sandoval and the Warm Inventions sound. Molly Burch’s debut LP is the perfect soothing Vegas cocktail to dull a broken heart and accompany the dustbowl …
Album Review: Judas Priest – Turbo 30 (Remastered 30th Anniversary Deluxe Edition)
I’m just going to come out and say it, Judas Priest’s Turbo was a damn good album. It was much maligned by the long-haired, leather-wearing metal dudes that pumped fists to songs like “Breaking The Law”, “The Green Manalishi(with the two-pronged crown)”, “Livin’ After Midnight”, and “Electric Eye”, but that’s their problem, man. Turbo wasn’t …
Album Review: Surfer Blood – Snowdonia
It seems that in the past few years we have been awash with surfer-rock/surfer-pop albums, seemingly become the music du jour for those who feel slightly more fashionable to still listen to Mumford and Sons (and discovered Urban Outfitters). Others, however, still yearning for those halcyon slacker days before we had to get full-time jobs. …
Album Review: The Staches – ‘Placid Faces’
The Staches are two girls and two guys from Geneva, Switzerland. Namely; Lise Sutter (Lead Vocal/Synth), Charlotte Mermoud (Bass/Vocal), Léo Marchand (Guitar) and Martin Burger (Drums). Their lyrics are belted out in English, the riffs are bold and the beat incisive. A primitive impulse makes itself felt through their music, demanding to be heard. Their …
Album review: Phat Bollard – Brew for the Barrowman
For those not in the know Phat Bollard are a Cornish folk band that spend their days busking on the streets, going from city to city. They’re more at home playing on the streets than being in a studio or playing actual gigs. The result of a successful crowd funding campaign Brew for the Barrowman …